#blood magic has so much narrative potential

[mournmage]

I dunno about you guys but one of my favorite things to think about if you're playing a blood mage (which I love to do) is to go "hm, when is the absolute Worst time in canon for the rest of the party/other possible onlookers to find this fact out, and what would the aftermath of that look like?"

For Origins honestly I think either during Broken Circle or the duel with Loghain if you had your mage Warden fight him are contenders for worst moments. Doubly so if youre also elven. Broken Circle is already off the deep end full of blood mages and you've got Wynne by your side who is Not going to trust you if you reveal yourself in that moment, and it'd be really hard to hide it with all the templars around in the aftermath. During the Landsmeet Loghain is already trying his damnest to slander the shit out of you to everyone in attendance, and its worse if you arent a human cause he makes some very pointed remarks. Pulling out blood magic to win whats supposed to be a fair duel against him, even if the Wardens dont forbid the use of it, is going to look like not only are you vying for power for the Wardens by stooping to the worst level, but also like you don't care about getting your hands dirty and possibly using people to get there, and thats Not the image you want to send this close to the time you need unity from everyone, especially when they already feel used in some cases.

I havent finished 2 yet but so far I think the Arishok duel is pretty fuckin up there on the list of "worst times to reveal youre a blood mage" because not only has Meredith made it clear your ass is on Extremely thin ice already even in a state of emergency, you really dont want the people to claim you as a champion when you're also a blood mage and give them more fuel for a possible mage uprising. Can you imagine the face of the city being one of the worst things that the Chantry preaches about and how it would look to show them that you can use such powerful yet harmful magic to be a protector?? Devistating for the image the Chantry wants to put out and putting the biggest goddamn target on your back at the same time.

And the thing is, in All of these circumstances, it'd Make Sense for a blood mage to tap into their abilities because theyre particularly hard fights and moments that you're in real actual danger be it political or fight related! The Arishok duel in particular is HARD, I died to it so many times even just playing on casual and he legit has a move where he'll ram Hawke thru with his sword, so I don't imagine Hawke comes out of that fight without some severe injuries. But I tend to metagame a lot to stay in character, so I tried avoiding using my blood mage abilities there because the image of Hawke whipping that out while everyones watching just felt so wrong and too risky!

Its just something I think about, how blood magic can reshape the narrative for your Warden/Hawke if you wanted to have them publicly reveal it at some point. The consequences would be horrible at any point tbh but theres some moments that would have more fallout than others depending on whos watching and if they might sell you out for it.

[rootspiral]

Agatha All Along deep dive: episode 8 part 8

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

so anyway rio could have stepped in at any moment and ejected billy into oblivion / prevented agatha from getting a full recharge. but did she? no, no she didn't. this is absolutely a fucked up game they're playing instead of talking about their feelings. rio tried to talk and agatha rejected her (almost) every time, so theatrics and blood it is! god it sucks so much that this stupid flirt/hurt/posture/dance is the only way agatha allows them to communicate.

agatha's smirk! she's like, now you're gonna get it! now I'm gonna fuck you up!!! rio has been throwing her around like a rag doll, but now that she has her powers back agatha can finally put allllll her shields up and do a little show of her own.

when it comes to agatha everything is about being in control of the narrative, being the one who hurts rather than being hurt, never showing any weakness or vulnerability. she was awfully vulnerable without her powers and that has allowed rio to creep in closer, something that agatha had managed to escape for so long. it's no coincidence that she chooses this appearance, the same one she chose when going face to face with wanda. this is what she was trying to look like with her purple coat too: the formidable, merciless witch. it's an armor she clings to, a mask to feel powerful that won't ever show the mess she's hiding underneath. this is what agatha chooses to look like when she's scared.

rio: fuck off you little meddling twink the adults are talking

agatha: mwhahahah I'm such a big scary villain just lemme check if billy's okay real quick.

actually let me gush for a second about agatha's greenhouse being full of herbs and potions! her witchy basement disappeared because she had built it with a magical illusion, but in here she's been totally experimenting with physical craft (neeeerd).

billy's like, are those two fuckers honestly actually flirting right now

CHILDREN I swear to god

LEAVE MY INFURIATINGLY STUPID EVIL MOM ALONE!!!

poor rio. just her luck that when she finally gets to corner agatha a baby maximoff comes into the picture. I love my perfect mama's boy.

the bittersweet look she gives billy. she's truly having a lot of firsts, now she finally admits that all her dancing/fighting with rio is futile, it's just for show and it won't ever truly solve anything. what is she even doing, involving billy? billy who's still so earnest, so eager to help.

I SEE YOU JAC SCHAEFFER! I SEE YOUR EVIL WAYS! I SEE YOU CREATING THESE SILLY LITTLE SHOWS SO YOU CAN EXPLORE THE IMPOSSIBILITY OF LOSS AND GRIEF AND OUR OWN MORTALITY!!!!

but she's being 100% genuine here???

okay, no, this is still agatha we're talking about.

she's being aT LEAST 80% GENUINE! she's having a moment of clarity, she's contemplating the true awfulness that would be sacrificing billy on the altar of her own fucked up issues. the mask has slipped and the real agatha is peeking through, swords in her heart and all.

her parting words to billy: you are not bad. the same words she wanted to imprint on him when they had their first mask off conversation. don't let people cast you as a villain, like they did with me.

Neither are you, says Billy.

You're the only one who thinks so.

The thing is, being so hated, doing all the fucked up things she does, really hurts agatha. It's no justification whatsoever, doesn't make her any less of a villain. she goes out of her way to be misunderstood, to never show any weakness, to selfishly rationalize all the horror she inflicts, because the alternative is opening up to more potential hurt, and she's been hurt too fucking much in the past. and the more she pushes people away, the lonelier she is. it's a vicious circle.

three people loved her despite it all: rio, and she ran away from her when things got too overwhelming. nicky, and that's a whole other mess that I'll get into next episode.

and now billy loves her, and she craves that love just as much as she wants to run away from it. she'll hurt billy to protect herself, she'll hurt him first because she's afraid that he eventually will leave or die or get mad and will hurt her. because right now? she's feeling so much love for billy, and that's terrifying to her. the more she loves, the more she opens up to heartbreak.

both gorgeous shots

billy: I'm not that nice.

also billy:

then she got an idea. an awful idea. agatha got a wonderful, awful idea.

oh this is perfect, isn't it, agatha? you somehow convinced the boy to turn himself in! if he goes through with it, rio has promised to leave you alone! you'll be free to crawl back to your dark dark corner and accumulate bodies and power like the old miserable smaug you are!

you can see agatha's survival instinct kick into high gear. this is how she has survived so long. this is what she does.

BILLY'S FACE. I got to laugh a bit, sorry kid.

rio shaking her head both in triumph and exasperation. of course you betrayed the kid, agatha you piece of shit. rio didn't expect any less from you.

and she can't even look at him, the coward.

but I thought we were having a moment??

he went ahead and made a grand gesture without being ready to actually sacrifice himself whatsoever, and now he's going "mom??? come back and pick me up, I'm scared??" it's like agatha is kicking a puppy.

the slow, dramatic turn. the evil grinchy grin. this is the most egregious example yet of agatha putting her mask on, and we have all the context to understand exactly what she's doing and to see what's going on both on the surface and inside her wretched little soul. she's not cruel and uncaring, that's play acting - she's actually small and scared and a coward. she's once again running away screaming, rationalizing it as a smart choice and breaking her own heart in the process.

so I know billy's telepathic line was added in post because disney execs feared audiences wouldn't buy agatha turning around on her own. what absolute buffoonery, such massive disregard for your viewers' intelligence.

...on the other hand. billy full on misreading the situation and trying to fix things that are beyond him, only to accidentally hit the target? somehow fixing a delicate fragile problem by hitting it with a hammer? totally on brand for him.

is this how nicky died? it kind of is. she did choose her own fear over nicky's well being, despite loving him so so much.

whether you choose jac's version or disney's version, here's what happens next: agatha stops in her tracks. her stupid grin fades away, and she clutches her chest. she finally did it, she told a lie too big. her poor heart, already bleeding from all the swords stuck in it, simply cannot take one more stab. sure she's all about self-preservation, but at this point she's damned either way: she either goes out saving billy or she's killed by her own regrets and sorrow.

she turns around. she runs. not to billy. to rio.

going back to what my mother jac schaeffer (whom I love more than jesus or pizza) said: this is not agatha enacting a grand plan, she's not taking a ~calculated risk like she'll tell billy later, the fucking liar that she is. sure, she had a vague hope of turning into a ghost, but she didn't know for sure. this is agatha's emotions taking over her brain - like they tend to - and forcing her to use what are probably her final moments on earth to TAKE WHAT SHE'S BEEN CRAVING ALL ALONG

agatha grabs rio's face and SMASHES their mouths together. FULL ON proceeds to EAT HER FACE she wants her so much. rio is shocked for a moment and then closes her eyes and gives in completely. and you can see the poison taking over because this idiot - this gorgeous, tragic dork - has decided to kill herself by absorbing rio's powers - but this is not going to be a mere 'peck of Death', no sir, that's not what it's called! agatha is gonna SNOG Death, she's gonna TONGUE that immortal being, she's GETTING ALLLLL HER MONEY'S WORTH. dear lord the HUNGER and YEARNING and DESPERATION on her face.

and I love that she's taller here. they're basically the same height so who's taller depends on the shoes they're wearing, but I love love love that agatha gets to engulf her for once. agatha taking control, rio giving herself up completely

what? you thought that now that magic has been absorbed THE KISS would be over???? well THINK AGAIN. because now we're going to switch angles, we're going to linger, we're going to make it look like almost gratuitous fan service, oh yes we are!!!

I truly don't know what to say. I would like to thank jac of course, and kathryn hahn and aubrey plaza for MAKING THE FUCK OUT and exchanging so much spit on camera like the true professionals they are. thank you writers room, thank you to all the crew who had to listen to the ungodly noises these two were undoubtedly making. thank you gandja monteiro for directing this. I'm going to even thank the lighting department for making it thunder so we can (more or less) see what's going on. this was truly a group effort. well done you all!

and they keep kissing until the very last available moment, and rio doesn't know how to let her go

but this is so on brand for agatha. you know if rio was in her place she'd try to be as gentle as possible to ease agatha's grief. agatha literally went for the most dramatic, most over-the-top, most emotionally devastating way to go. this was supposed to be rio's big moment! and what does agatha do? she makes it all about herself. again. should be the other way around, but once again rio gives, agatha takes. you just gotta laugh at this point.

Death looks on stone faced as her love turns back to nature and balance is restored. she wraps herself in her cloack and tries very, very hard not to cry.

agatha really went and made rio kill her, didn't she? rio, who isn't ALLOWED TO. these two are soooo wrong and so toxic for each other and yet they love each other so freaking much, I truly cannot get enough of them.

go to episode 8 part 9

[shoutydwarf]

Veilguard ending spoilers

It's so hard for me to talk about how I feel about Solas because on one hand, there's great potential in his arc, but on the other, bioware has completely butchered that in such a profound way that I don't care to look past the hiccups to enjoy him.

First, he's race locked. This really doesn't help to contest the idea that he's a supremacist. If it was truly a time crunch issue where they added it so late they couldn't add the other races, but knew at the time what Solas was and what he meant to the plot - why, on gods green fucking earth, was it included at all? Because they spend the whole next game trying really hard to convince you he's not just an ages old racist stuck in his ways, only to not just have race locked him but to hide his most egregious act, of which he committed against a certain race he's known to be racist towards.

You'll be hard pressed to catch a certain type of solavellan, which encompasses the majority of them, even saying the word titan. The part that baffles me is you'll also be hard pressed to hear SOLAS HIMSELF saying it in game. If I'm recalling correctly, I only heard him say it one singular time outside of the mural memories. At the very end of the game.

There is zero acknowledgement on his part of what he did, at least not in any meaningful way. The orb that the evanuris made their foci out of that Solas says is an elven artifact? Titan heart. The dagger he made? Titan blood. The empire of Arlathan? Founded on the blood and genocide of titans. And I mean that in the most literal sense that I can. All of their godly powers that they used to create their empire was pulled from the well of titan souls they locked within the Golden City.

It's fucking poetic at this point. They silenced the titans so good and well that it seems not even Solas remembers what his glorious kingdom of old cost. It's even funnier if you stand in front of him as a Cadash or a dwarf!Rook.

This man they're trying SO HARD to beat into you around every corner that he's so so sad, he's so so full of regret and sorrow, he's so depressed and anguished over his deeds, not once acknowledges in a way that matters that what he and the evanuris did to the titans was wrong. And if he doesn't feel remorse over that in any way that's loud enough for him to talk about it as he does the veil, how the fuck am I supposed to believe he's sorry for all the other things?

Weekes has admitted to literally, somehow, casually forgetting dwarves don't dream when they were writing the scene of the Haven dream with Solas and the Inquisitor. Add this to how many lines dwarf!rook has of comparing things to dreams, casting necromancy spells etc and it becomes pretty clear that they never intended to afford this genocided race lore reveal the gravity it needed. They just needed it as a minor plot device in a greater elven narrative that completely, utterly, 100% unravels the message they're desperate to send with Solas. They really said to solavellans don't worry, kittens, he committed a really heinous, unforgivable act that he's not taking any strides to repair but we're not going to have him talk about it at all so you can continue ignoring it and scrolling tiktok during Harding's questline. And yall said okay ❤️ yay ❤️.

And no, you can't argue that his goal was always to tear down the Veil to restore immortality/magic to the elves AND wake up the titans. Because those are two separate things, and one of those things he never once said he was doing. He doesn't need the titans awake to take down the Veil and restore Arlathan. In fact, he very much needs them to stay tranquil, otherwise he'd finally get the ass whooping he fucking deserves when my dwarves not only attack his unguarded kneecaps with hammers but start chucking rocks at him and booing loudly.

This is why he's irredeemable for me. This is why I wanted an ending where I can kill him, not because I hate him as a concept or even as a character, but because his writing is such a fucking joke. And putting him into a sock and banging him against the counter is the only valid response to such a cosmic fumble because it's the only option that matches its freak in being so ridiculous. It's bad writing, it's weak, cheap, lazy, and directly crumbles the entire foundation.

While the ending of having him spend eternity soothing the dreams of the titans is excellent in form, because although it doesn't show him taking accountability it does show him taking steps to repair the damage he did to them, I don't ever get to establish, as a dwarf Rook or even just as a player, that THAT is why I want him to do this. Nobody says, "Make this right by earning the forgiveness of your first victim." Instead, for Solas, it's like, "well, since I have to go there anyway, I might as well. I guess. Whatever."

All this while they're in that AMA saying shit like "two groups are more affected than any other by the evanuris - the elves and (wait for it) Tevinter."

A fucking joke, I tell you.

[pjchatters]

okay while that segment with Joel arguing with himself about the axolotls in his new hc episode was incredibly funny, it also has great angst potential because it's giving the narrative that Joel's bloodlust has grown so much (no doubt an effect from the Life series) that it's starting to combat his need for companionship

and that's scary isn't it? it scares him that he has to convince himself not to kill his own axolotls because they're no longer useful to him, when many times before he owned pet axolotls just for the sake of having them, so why does it matter now? and how long before he starts viewing his friends the same way? how long before his need to kill and spill blood, overshadows his need for friends?

or perhaps this wasn't that serious, perhaps this was just the result of Joel being reminded so much of the Life series recently, like him and his friends (which included Scar) settling on Magical Mountain (not Magic Mountain), the Demise game, him and Grian setting up TNT minecart traps, and him being "obsessed" with Etho (and Etho being obsessed with him)

Joel tries to reassure himself that all the remembering just made his bloodlust more intense temporarily, he'll go back to normal eventually. For now, he just needs to keep the bad thoughts away.

Bad thoughts go away. Bad thoughts go away.

[extremely-judgemental]

All right, let’s talk about Feyre’s pregnancy reveal, Rhysand’s anger, and Cassian’s punishment. This is more of an angry rant, if it doesn’t make sense, you know why. 

Before some weirdo comes for my throat for this, and though I’m not obligated to share anything about my life, I have two sisters. I’ve been both Feyre and Nesta. I know what it’s like to be poor, even if not to the extent of ‘I have to hunt to feed my family’ poor which is still a lot more than what SJM knows or understands.

The Archeron sisters have a less than cordial bond with each other, but it is a lot deeper than ‘she let me go hunting’ and ‘I failed her’. The adults responsible for them traumatised them, neglected them, used them as pawns, and exploited them. The three were forced to parent each other and care for their father. That’s a lot of trauma they have in common which leads to more in their individual lives, and an outsider can’t just have a peek and go ‘Oh, this is the one who suffered the most’. Comparing their trauma and picking a side is downplaying their experiences or insulting them as a character.

And it takes a lot to pit one of them against another with just a simple ‘she wronged you, so I’m going to punish her for you’ unless they hate each other and are already out for blood. Which is exactly what the IC do with the sisters—play with their emotions, manipulate them, and make a villain in each other’s story. It’s almost offensive to everyone with a sibling the way sisterhood is approached in this series by making Feyre compliant with Rhysand’s plans. I can’t even begin to tell you how much this narrative infuriates me that Feyre willingly allows Nesta’s imprisonment with a man who clearly is lusting after her.

The sisters haven’t healed from their shared trauma and the IC doesn’t want them to. The only chance they had to mend their relationship was when Feyre returned home after Tamlin sent her back. What we see in SF is a clear reversal of whatever bond they managed to salvage.

Feyre hasn’t forgiven Nesta and at this rate, she never will. She doesn’t care about her sisters but meddles with their lives because she’s still living by the promise she made to her mother. In her mind, she’s ‘taking care of her sisters’ even though she’s hurting them. Their dynamic shifts when she becomes a High Lady and her sisters end up at her mercy which is very similar to their times in poverty. Feyre provided for the family and she exerted control over them as a means to keep that promise which is what she’s repeating now. But that’s too much psychology for people who instantly go ‘but canonically!!’ So let’s move on.

Why does this matter to the pregnancy reveal? Oh, it does because Feyre allows everything in SF. Sure, she is manipulated but Rhysand and Cassian don’t have to put much effort into it. She always ‘sees’ their side and accepts it. (Or, SJM did so to justify the abuse.)

Nesta has every right to tell Feyre the truth about her child. She’s her sister, even if you don’t want to believe, she truly cares for her. Someone has to and no one close to Feyre is going to because Rhysand commands their silence. Her own healer doesn’t explain the dangers of childbirth to her. Nesta sucks at phrasing it well but her reasons are valid and clear. When Feyre asks her to calm down, she says something along the lines of ‘I can’t because they made a choice that directly concerns me, my magic which I’m terrified of. Would you calm down if they did the same to you? What if I tell you they already did? That they’re lying to you too about the child that’s potentially a death sentence? Can you be calm now?’ There’s anger here, sure, only because that’s the second time her sister betrayed her, the first being the imprisonment. She wasn’t waiting around coming up with a list to hurt Feyre and running to her the first chance she got (you know like specific someone does). Besides, she trusted Rhysand and Cassian to do right by Feyre, it’s why she kept their secret until then. But they proved her wrong and now what reason does she have to trust any of them? Even if it is an avenging of sorts, why wouldn’t she have the right to when it’s her and her sister’s life they are playing with?

Rhysand’s first instinct is to kill Nesta more than be concerned for his mate. He was not angry because Feyre was hurt or Nesta revealed the truth before he could. He was never going to tell Feyre himself, not until childbirth unless he ‘fixes’ it to play the hero again, or after if by some miracle they survived. He didn’t even tell his friends about the death bargain the two geniuses made either until the last minute and when he was cornered. That’s his pattern throughout the series.

Do you know what he might have done if it’d gone as far as the labour without Feyre knowing? ‘Let’s not put her in any more pain.’ And Feyre would have died never knowing all her friends were aware of her fate and they didn’t tell her.

He was angry because Nesta ruined his ploy. Would he have reacted differently had she declared it calmly over dinner? Let’s say Nesta wants to invite Feyre and wants to talk to her. She’s in HoW and she has to ask Cassian who will, let’s face it, inform Rhysand first. And they can decide to keep them apart. How is it impossible to see the control these men have over the sisters? Even if it is a completely separate incident on a random boring Tuesday, Nesta will have still become the villain. Rhysand will have still threatened to kill her. 

Cassian whisks Nesta off the streets when she’s very well convinced that she’s either going to die or be dumped on the moral lands. I mean, he doesn’t tell her where he’s taking her and all she sees is Azriel passing him a packed bag. She’s already accepted her fate. Feyre reaches out to Cassian and asks him to convey the message that she’s forgiven Nesta which he keeps to himself. She insists her sister is brought back home which he refutes right away. She expresses clearly she’s angry with IC than her sister, again Nesta never knows. And Cassian decides Nesta deserves to be punished.

Just so we’re clear. Feyre is not angry with Nesta. She’s not hurt by Nesta’s actions. She wants her sister back home. And CASSIAN DECIDES NESTA DESERVES TO BE PUNISHED. Not Feyre. Not Rhysand.

Why? Because she stepped out of line, she exposed his precious sugar daddy. Because Cassian failed Rhysand by not getting to Nesta first and he’s taking it out on her.

You can say all you want Feyre is on Nesta’s side here and she’s being manipulated. But, she forgives Rhysand and Cassian in less than a day after learning her baby and her mate, whom she loves so dearly, are going to die with her. She’s so past it already that she’s joking with Cassian that Rhysand will enjoy Nesta’s punishment. (‘She’s never gone on a hike a day in her life’ but she went through the woods freezing to look for little sister alone with a mercenary, and she climbed down 10 000 steps out of sheer will. Still why not just insult her anyway lol?)

Does she know how dangerous the trip is or does she just not care? And I don’t remember if she goes on to have sex, I only remember Rhysand boasting about make-up sex in a mental convo with Cassian, and if it’s at this point, then that’s even more disturbing.

Why doesn’t she reach out to Nesta herself? Even if Nesta refuses, she can always try again. The two are gone for almost a week and she never wishes to check with her sister who ran off afraid for her life and guilt-ridden? How many times will the two men decide what’s best for her? The imprisonment is Rhysand’s elaborate plan which was very handy and the hike is Cassian’s idea. And she goes along either time because she is helpless with her own sister?

Besides, why do the IC even interfere? Feyre and Nesta are mean to each other. They hate each other. They make up one day. They want to rip each other’s throats out the next. Nesta wants to be far from her sisters, fine. She wants to drink and fuck and drown in her pain, fine. Feyre and Elain want her to heal soon, fine. Feyre wants to give her money, she wants to cut her off, fine. But it’s between them! 

Rhysand can hate Nesta all his life. But he has no right to dole out punishment or make her life miserable out of spite. He can’t be angry on behalf of Feyre. As far as Nesta/Elain are concerned, he is just a dude their sister is sleeping with. They don’t believe in the whole mate thing. And Cassian is just a random guy.

And people’s audacity to say Feyre respects Cassian’s choice because she’s being a good friend and he has the right to choose for himself..!

Cassian doesn’t go ‘Let me go on a hike until this blows over’. He doesn’t choose for himself. He chooses for a woman, who is clearly hurting and wanting to die, so that she learns her lesson of never, ever crossing the IC (read Rhysand). His choice is directly impacting someone who’s suicidal and whose family wants them back. He doesn’t have a right to punish Nesta. He has no business getting involved at all!

I mean, if a guy shows up at your house and decides to punish you for a fight you have with your sister, you’ll either murder and bury him together or call the cops, not fucking marry him. It doesn’t matter he’s best buddies with your sister’s lover. He’s a creep. 

And they say, Nesta deserves it all because she failed Feyre at the cabin. Their parents failed them. Nesta was the nurturer of the family, Elain was the emotional support, and Feyre was the provider—who could have taken literally any other job and, she chose hunting, but what Nesta and Elain did was irreplaceable. So for fuck’s sake, cut them some slack.

How can anyone read the book and believe all this was for Nesta, that any of them care about her, or that Cassian loves her? People would rather live in denial than accept what’s truly happening.

[butchvamp]

i finished the game last night, here are my unpolished thoughts about the final act and what i liked & didn't like. this is very long and probably incoherent lol

what i liked:

the whole final battle was awesome, i loved the combat, and i really enjoyed the huge cutscenes of everyone fighting together. i had been really disappointed earlier about the lack of a battle scene at weisshaupt a la ostagar in origins, and this definitely made up for it

i liked the suicide mission and actually getting to assign people their roles in the battle

i LOVED Solas's betrayal, that whole section in the fade prison with the statues was one of the strongest scenes in the game, i think the entire relationship between Rook and Solas is really well developed. as the player, we know Solas is manipulating them, but i think they did a good job making it so it's still believable for Rook to fall for his tricks, especially with the Blood of Arlathan quest before this. (also it's very obvious Solas is Weekes' favorite, wish they would have just stuck to him and not all that other dogshit...lol)

i liked the idea of Varric's role here, but not the execution. i'll come back to this lmao

the giant dread wolf and archdemon fight was cool as fuck. no notes. that's just classic rule of cool, baby

also i had Davrin in my party while fighting alongside Solas and i really enjoyed his banter with him and how hard he laid into Solas's ass. it was very satisfying. yippee go Davrin!

okay. now. what i didn't like (sorry not going to bother with bullet points, it's going to be longer down here lol):

while i liked the suicide mission structure, i hated how the game all but told you who to assign where. there were no stakes at all, there was no way to get it wrong unless you did so intentionally.

this also brings me to. The Choice. between Davrin and Harding. i understand the need for a "fallen hero" here, it ties into the entire theme of regret with Solas as we see in the fade prison, it was necessary for Rook to be the person "at fault" (aka directly make the choice that ends with someone getting killed) but this choice was dogshit. it also was really fucking stupid to see Harding climb up and stand atop a giant stone pillar, and then NOT use her stone magic!!! i don't hate the idea of someone dying here, but this was just a series of failed choices over and over again. we should not have pitted returning fan fave Harding against the single Black companion (who comes in late and barely even gets his own story outside of his damn pet)-- it should have been Harding (narratively satisfying, she's been here since the beginning and dies for the fight) or Lucanis (he is literally the guy taking the shot), we also shouldn't have tied all the dwarf lore revelations to a character that can just fucking die at the end, and we shouldn't have had her stand on a giant stone pillar when she has STONE MAGIC!! i knew this choice was coming but her death still caught me off guard cus i was fully expecting her to collapse that stone pillar on her, not use her stupid puny bow 😭

i think this choice is also weakened by the fact that it's THEE only choice. it's obviously an echo of the earlier Treviso and Minrathous choice, which also didn't really seem to affect much outside of potentially losing the corresponding factions (and i think Lucanis's romance gets locked out?) i saved Treviso, so i got the Treviso questline later, and i assume that you get a Minrathous specific questline with the Shadow Dragons if you save the other instead (haven't seen myself tho so i'm not sure, just guessing). but it's very easy to recover the Shadow Dragon's reputation, and the final battle takes place in Minrathous no matter what. the only way for companions to die or the battle to fail is to just straight up ignore quests. you can't lose a faction's support at all unless you intentionally try to do so. i don't even think you can lose companions at all unless you intentionally ignore their quests and place them in the wrong spot. though the game still holds your hand through the battle and basically Tells You who to put where so they survive.

and to be fair. this is true for the suicide mission in mass effect 2, but the thing is, there is so much more dialogue and variations with how you can play your character and interact with the companions and the world than there is in veilguard, it makes it feel like you do have more control over your character and the narrative, even if it's just the illusion of choice.

and then with Solas, it doesn't matter, he always ends up trapped/linked to the Fade, it just changes how he feels. (they also do this with the First Warden. i was excited for a potential variation between punching/not punching, but all it changes is his attitude when you find him later in Davrin's quest) okay.... well. is he going to return again after that post credit scene? and are they really going to write 3 (or 4, with lavellan i guess) different branching personality variations?

i think the powers that be just wanted to get rid of him in a way that would still leave the dragon age setting ultimately unaltered and open for more games in the future. especially given the secret post credits scene. which i also have an issue with. we're going to go from "it was all the Evanuris fault" to Actually, it was this secret third thing and everything we did was for nothing! AGAIN! if they want to make more dragon age games, they can just... start a new story. do they know that. (the fact they're implying Loghain was influenced by some outside force to do what he did at ostagar actually has me livid lol. leave origins alone!!!!)

anyways. now the fade prison. i have two issues, my main one being Varric. i actually started to suspect early on something was up with him, because he just sits in that damn infirmary the entire game, no interactions, barely any dialogue. i think Varric was horribly underutilized in this game, and it results in all of the emotional beats around him falling flat for me. of course, it's emotional for ME, the player, because Varric is a fan fave returning character and one of my own personal favorites. as far as i've seen in game, though... Rook has no relationship with him at all. i think this game would have been vastly improved with short playable origins that showed the two meeting and developing a relationship, and also he really really needed to have more scenes and dialogue in general. he's barely in the second half of the game, literally just sitting all by himself in that damn room, and even when he is in the cutscenes he has one single line that everyone obviously just ignores. it sucked. very disappointing finale for a really beloved character... it could have been so good if it was good....

because i DO love the idea of Solas using him to manipulate Rook (and i really like Varric and Solas's relationship & the way they contrast against each other), and also the idea of how being tricked in that way would actually affect Rook-- what's real, what's not, can they even trust what they're seeing at all anymore? especially when Solas "glitches" between Varric and Lucanis (idk if it's always him or your LI? would be cool if it's your LI, that's what i assumed) after slaying Ghilan'nain-- this could have tied in with the final romance scene. but of course the game doesn't get into any of that at all.

and now issue 2. how the fuck did Solas do that LOL. how did he switch places, how did he get out, how did it take Rook in his place when it was designed for elven gods? where are the other elven gods (did i just miss this explanation? did the other two just kill them in there)? 🤷 when did this place suddenly turn into a prison of regrets? was that Solas's presence influencing it, or did he do that intentionally for Rook? dont know! who cares. moving on...

i romanced Lucanis, and i was really disappointed with his romance. the final scene was sweet, but.... i think particularly with Lucanis you can tell so much of his story and arc ended up on the cutting room floor, it feels disjointed and as if we're missing pieces, and you can feel it in his romance, too. i also really didnt understand the "keep flirting (not a lock in) or end it now" choices that didnt feel like they did anything at all. why was i given like 3 different times to break up with him when we weren't even dating yet lmao. the romance was a bummer, of course i love the setting and the story but i go into these games expecting strong romance along with it and i was really banking on that being the highlight in this mess of a game but. alas

this also segues me back into the whole "trapped in the Fade prison" section. why was there no reunion with both your LI and everyone else? apparently Rook was in there for WEEKS!!! they hardly communicate this and Rook just reappears and jumps straight back into leading the team, no tears or questions asked about how they found them, how they got out, what everyone was thinking while they were gone... we also get a deus ex machina knife, how convenient that they did all that while i was gone and no explanation is given as to how it could possibly fool Solas, just trust us bro! 💆 i feel like trying to craft our own copy of the knife should have been something actively happening in the background throughout the entire game, and it gets finished while Rook is in the Fade. but this truly came out of nowhere lol

again i think it's obvious things were cut and rewritten and maybe this was the result of a frantic scramble to come up with something that would work, and i'll be generous and blame it on that, i guess...

when we finally get to the final confrontation with Solas, i was very excited, because again i feel like Rook and Solas's relationship is the best in the game, Solas's writing is consistent and strong, i knew this scene had to be good.... and i guess it was? but it felt so unsatisfying. i chose to fight him (my Rook would do anything to get him to shut up) and i was hoping for. an actual fight. you can do it with Mythal earlier in the game, and we already saw his giant wolf form, i was so excited. and then. no<3

okay! sure. we beat him with the power of friendship (not surprised and not even making fun of it here, it makes sense narratively, i knew some version of this was coming after the whole comparing Rook versus Solas bit in the Fade) but come onnnnn i wanted to fight the giant wolf.... sigh. i did check out the other endings as well, and it's clear the redemption ending is the "true" ending and also the best written one imo.

overall. this was a bad dragon age game. i had a lot of fun playing it though, so it's not a bad game game. the gameplay loop never got boring, i never got tired exploring or doubling back, i loved the maps, i loved the combat, and i did love the companions. but the writing is atrocious and racist. this is a horrible dragon age game. i don't know where i fall on recommending this. again, i've had a lot of fun playing and dissecting it, but i dont know that i could recommend this to dragon age fans. this would have been way more successful as a completely different fantasy game. the changes to the lore, disregarding the majority of the games that came before it, the horrible depictions of returning characters (the inquisitor and isabela were the worst offenders for me) the setting and characters feeling watered down and incomplete, the complete lack of the classic "grey morality" shtick (even if it's not always been implemented well)... idk man. bummer! it's obvious there was a cohesive vision at one point, i do think this game is a casualty of the current state of the gaming industry (i was honestly surprised it was functional on launch. not shade at bioware just in general that is rare to see now) we know EA thrashed bioware throughout development, and bioware made a lot of really bad choices, too (the racism is absolutely their doing, they made that choice back in inquisition). but we can see, particularly in the artbook, that there were good ideas & an intention to actually tie everything together and give this story the finale it deserved... but it all got lost along the way in a very ugly, chaotic development. and the game really suffers for it.

[saintsenara]

ik the draw of snoldemort is that it's as delicious and healthy as fibreglass-riddled cotton candy but have you ever considered them being happy?

yes, all the fucking time.

i am genuinely of the opinion that snape and voldemort are each other's most plausible romantic pairing, and while i sustain that opinion mostly thought the power of being delusional, i do think there's a legitimate grain of potential for snapemort to actually be strangely wholesome.

and so, since this is not the first request I've had for such a thing...

...here comes the snapemort manifesto.

i am also of the opinion that the series presents an extremely narrow and unhealthy definition of love - love as suffering and sacrifice and secrecy - which voldemort can't allow himself to experience because his life has unsurprisingly made him unwilling to suffer or sacrifice and which snape forces himself to experience to the clear detriment of his physical and mental health.

but love is also - fundamentally - about comfort and pleasure and not being bored in someone's company.

the canonical voldemort clearly actually likes snape. he also clearly enjoys spending a substantial amount of time alone with him - especially in deathly hallows: voldemort teaches snape how to fly unaided [the only death eater he seems to do this for], which is canon proof they were going on lots of romantic midnight swoopings; snape is obviously voldemort's source for the information that tonks and lupin have recently married, which means they're gossiping over glasses of wine just as much as they're planning to take over the ministry of magic; voldemort visits snape at hogwarts while he's headmaster, and while that's to steal the elder wand, he does say that he'll join snape once his grave-robbing is done...

the two are clearly intellectually compatible - not simply in terms of level of intelligence but in how that intelligence manifests itself. snape has a very voldemort-ish view of magic as something whose boundaries can constantly be pushed and whose authorities must constantly be challenged - that magic is really about power [and those too weak to seek it] - and it's clear in canon that dumbledore's unease about allowing him near the defence against the dark arts job prior to half-blood prince [when snape agreeing to kill him - and revealing how his love-as-suffering for lily drives him - finally convinces him that snape has rejected the dark side entirely] is because he fears snape's way of understanding magic, since it reminds him of voldemort [and - in reminding him of voldemort - reminds him of grindelwald].

but snape and voldemort's intellectual compatibility has something underpinning it which goes beyond how they understand magic and its purpose in the world. they think the way they do about magic because of the similarities in their life experience.

as harry walks to the forest, he sets himself, snape, and voldemort up as a trio - the "abandoned boys", whose lives have all been shaped, to varying extents, by dumbledore. but, while harry and voldemort are each other's narrative mirror - due both to the overtly mystical pseudo-fraternal [or, if you're so inclined, soulmate] connection which voldemort establishes between them by making harry a horcrux, and to their shared experience of orphanhood - harry actually has much less in common with either half of snapemort than they have in common with each other.

for example, while they're all half-bloods, harry's pureblood parent is his father - which gives him a wizarding name, and the social cachet this brings in a world which is so obsessed with blood, family, and male lineage. snape and voldemort have muggle fathers and muggle names, and this gives them a radically different social standing - even if they are, ostensibly, within the same blood-category - to harry.

similarly, while lily is muggleborn, she is still a witch, attends hogwarts, is known and liked within wizarding society, and - like many muggleborns seem to - separates herself entirely from the world of her birth in young adulthood to live in a way indistinguishable from someone born and raised in a magical family.

tom riddle sr. and tobias snape are actual muggles - which means they exist in a world completely divided [and with that division scrupulously maintained by the ministry] from the magical one. while snape is brought up by his birth family and voldemort isn't, their lives are still dictated by their fathers' experiences of, fear of, and disconnection from magic - and this shapes their lives very differently even than harry's experiences with the dursleys.

harry also heavily resembles his pureblood father, which provides similar social cachet. one device which canon uses a lot is the idea that every member of a pureblood nuclear family unit looks alike - narcissa malfoy is blonde and pale, while her sisters are dark-haired, so that she is immediately identifiable as lucius malfoy's wife and draco malfoy's mother; molly weasley is red-haired and freckly, even though these are weasley, rather than prewett, traits, for the same reason.

in having harry look so much like james - while its primary intention in doing this was clearly to help obscure lily's role in the series' central mystery for as long as possible - the text allows him to smooth his path through the wizarding world because he looks like a pureblood, like someone who is understood to belong in the society through which he moves.

voldemort, in contrast, looks exactly like his muggle father. which parent snape resembles is more ambiguous - in deathly hallows, harry says that snape "greatly resembled" his mother, but both order of the phoenix and half-blood prince suggest this isn't the case, and the person he resembles is his father. this makes more sense, since snape resembling tobias means that he - like voldemort - lacks the visual connection to the wizarding world which would - like a pureblood surname - ease his way of belonging within it.

snape and voldemort are also from the same working-class background and have the same experience of childhood poverty. harry - no matter the financial aspect of the dursleys' neglect of him - is still middle-class in the muggle world by virtue of being raised in a place like little whinging by people like vernon and petunia.

and - crucially - harry's financial circumstances and class-status change utterly when he enters the wizarding world. he ascends to being upper-middle-class; he has the resources to buy everything needed for school new - meaning there's no visual distinction between him and his wealthy peers caused by him having, as voldemort does, secondhand possessions; he is able to treat these possessions casually; and he never, ever worries about being able to afford them [when his nimbus is smashed by the whomping willow, he's upset because he liked the broom so much and because he's embarrassed by the circumstances in which it was damaged, he doesn't worry one bit about not being able to afford a new one - he also considers buying himself a firebolt and, of all the things the one sirius buys means to him, it never seems to seriously cross his mind that it's a stupendously expensive thing for a teenager to own].

harry's class ascendance once he enters the wizarding world also gives him access to the ways of connection and network-forming which dictate how magical society runs. while much of this is voldemort's fault - since it's bound up in the fact that harry is a celebrity - it's also evident that this isn't entirely the case. slughorn's attitude towards harry is influenced just as much by his fondness for lily - and the clear reading of canon is that, if harry was the average hogwarts student and james and lily were still alive, harry would be "collected" for the slug club in the way that cormac mclaggen or regulus black are: people that slughorn wants to keep around in case they offer him something, not people he wants to keep around so that he can manipulate and control them.

voldemort and snape, in contrast, exist outside the social networks which govern wizarding society by virtue of their birth [hence why voldemort sets up a parallel social order - with him at the top - among his followers].

voldemort plays the game the way he's expected to while at school - sucking up to slughorn; leaning in to being, as he puts it, "poor but brilliant" - and then rejects a lifetime of being dependent on slughorn's patronage [he could be minister for magic, but only "if you keep sending me pineapple"!] for the only job he can get on his own merits.

snape rejects the idea of playing the game while at school - the teen snape we meet in order of the phoenix is conspicuous in his difference, not only in appearance but in behaviour, from his peers, and the marauders' bullying of him is motivated just as much by his existence outside wizarding social norms as it is by james' sexual jealousy of his friendship with lily and his own deliberate provocation of james and sirius.

and he also rejects the social convention the series values [by which i mean, the series thinks the class system is good as long as the good guys are the ones insisting on maintaining it] in young adulthood. i bang on about this a lot, but it's clear in canon that the reason snape becomes a death eater - and also the reason why he thinks the death eaters will help lily, even though this initially appears to be nonsensical - is because voldemort offers him a chance to transcend the limitations placed upon him in a world with such a restrictive class system. voldemort is the only person who offers him the things he desires - power, respect, recognition - in a context in which his background is [seemingly] irrelevant.

there's an element of snape seeing what he wants to see here, of course. he's clearly voldemort's exception in terms of social class [just as bellatrix is his exception in terms of gender], and this is a grooming technique on voldemort's part which sets snape apart from the other death eaters and makes him more dependent on maintaining voldemort's favour than men like lucius malfoy or rodolphus and rabastan lestrange, who are inherent insiders to the elite male social circle from which the majority of the dark lord's minions are drawn.

but there is also an element of recognition in voldemort choosing snape which has a heavy blast of affection - platonic or otherwise - behind it.

one of the things which dumbledore gets wrong about voldemort throughout the six books in which he appears is that he believes that voldemort is secretive to the point of repression about his origins, childhood, and life experiences. instead, the canonical voldemort is a certified yapper - he needs virtually no prompting, as a child with dumbledore, a teen with harry, or an adult with harry, to start talking about his life in a way which gives quite a lot about himself away. the proto-death eaters we meet in half-blood prince know all about the teen voldemort's search for his lineage. barty crouch jr. knows his birth name. lucius malfoy is completely unbothered to hear harry state that he's a half-blood.

and this shouldn't surprise us - what orphan wouldn't be on a desperate quest to be perceived, to be understood?

snape is clearly one of voldemort's great favourites because he's someone the dark lord implicitly understands - a clever, awkward, lonely boy searching for respect and power which the stagnant wizarding world refuses to give him. it stands to reason, then, that snape is also one of voldemort's great favourites because the dark lord thinks that snape can understand him.

and, in a situation where he's actually given a chance to offer voldemort this understanding, snape therefore has the power to give the dark lord the thing he's been searching for his entire life - someone who knows who he really is behind the elaborate mask of unassailable majesty and loves him anyway.

none of this has to change the future - voldemort can still be a terrorist who kills his wife guy's only childhood friend, the snapemort will slap nonetheless.

but it still can.

[hollowed-theory-hall]

Hi! I love your theories, and I spent too long reading everything I could find on your blog on Harry and V specifically, and bc I fell into a ship hole and can't seem to get out, here's a random question for you! Do you ship Tomarry or Harrymort in any way? Is it believable for you that it could happen? I mean, most of the time people tend to ship hermione with Tom Riddle, with the excuse that she's super smart, but I think Tom Riddle would despise her actually. Harry's not book smart, but he's very intuitive, he's clever and he's cunning, they could fit I think 🤔. Also they have shit lives, and they've been through similar things (not everything), and that'd enable them to understand each other and all. And Harry is annoyingly stubborn, so Tom/V would have a hard time manipulating him or forcing him by other means (like spells or potions), and he's observant and suspicious enough to notice random little clues and trusts his instincts so he wouldn't be blindly in love either? Sorry I'm rambling, I'd like to hear your thoughts about this if you have some? (If you don't ship it, no problem, I don't want to come across as if I'm trying to rant or complain or anything)

Have a good day!!

Thank you so much 🥰

As with all ship asks, ship whatever you ship and have fun, these are just my subjective opinions. Also, no, you don't come across as complaining.

So, real talk, I do enjoy tomarry/harrymort. This ship has some of the most well-written fics I came across in all my various fandoms and it has a special place in my heart. But my thoughts on this pairing are complicated.

To summarise I think this pair can be narrativly delicious. We got distorted parallel mirrors, both of them outright say how much they understand each other, how they know each other better than anyone else. They are narrative foils in many ways, having similar enough backgrounds but making different choices leading down different paths. It also helps these two are in my top 5 favorite characters in the series, so pairing them up is somewhat natural since it gets interesting results.

But, I don't think canon Harry and Tom/Voldemort would actually work as a couple realistically (or at least in a healthy way). Like, even without their history and specific circumstances in the story, ignoring everything and just thinking about how I see their personalities, I think they'd get on each other's nerves if they tried to date. They'd try to kill each other, completely independent of any prophecy.

Now to make a short story long:

(I'll be using the name "Tom" but it refers to Tom at any stage in his life)

First, yes, they do understand each other and have the potential for really seeing each other in a way that others rarely see them. I mean, Harry has Ron and Hermione, but they don't get it the way Tom would. They don't understand loneliness and abuse the way someone who lived through it would. I mean, these two clearly don't know what to do when Harry jokes about ducking his uncle's fists besides looking at him with concern. With Tom, Harry wouldn't have to worry about this. Tom would also not be concerned about Harry's darker more ruthless tendencies, allowing Harry to actually be Harry.

Tom, for his part, is a very lonely character who is looking for companionship and compassion, two things Harry can give. But Tom is unyielding in basically everything, he is incredibly prideful and independent. While he wants a connection, he doesn't really know how to trust and open up, to give a bit of himself that is necessary for relationships which is going to be a struggle for them.

Harry is one of the only characters (if not the only one) Tom sees as an equal or a potential equal. Tom really doesn't respect many people (regardless of blood or magical skill) but he does grow to respect and even fear Harry by book 7. This respect is important for any relationship, but especially when it comes to Tom Riddle, who just wouldn't really take anyone lesser than him seriously. And he thinks 99% of beings are lesser than him, so, that's a point in their favor.

Additionally when we think of the narrative, like, god, this can be juicy. We have two powerful and capable individuals who are basically bound together on every possible level. They are bound by magic, having brother wands that actively don't want to fight each other. They are bound by fate with a prophecy interwinding their lives together. After Tom's resurrection, they are bound by blood and they are bound by soul due to Harry being Tom's Horcrux. They literally share a soul, like, that's insane. They share dreams and memories and get each other in a way few could.

And they are very fixated on each other and can't really escape the other's influence. Tom is obsessed with killing Harry and no one but him is allowed to do it. He even goes as far as stipulating he wants to kill Harry while dueling him properly when Harry has his wand. This is something that shows, again, his respect for Harry. And Harry sees dealing with Voldemort as his responsibility. Tom Riddle is his to deal with and no one else's.

Like, it lends itself to a very dramatic very entertaining story naturally. A messy one for sure, but fun.

All that being said, when I actually think about how I see their respective personalities and what they would want/need from a relationship, I don't think they are very compatible below the surface.

Yes, Tom needs someone who he'll respect, but that partner needs to have some (a lot of) give. They need to be able to work around Tom's 10 million personality complexes without him feeling like he is being fixed. Tom needs to feel like he is getting his way, so his potential partner needs to either be very subtle or put a lot of effort into making Tom dateable (which I talked about more here). The thing is, Harry is just as stubborn and unrelenting as Tom more often than not. These two both have the same complex from a lack of control over their lives in childhood that results in very stubborn people who will fight tooth and nail to get their way and a general distrust of people. This is a recipe for them butting heads often, especially with their different worldviews and how they see people.

Like, both of them would never bow down to anyone. They don't know how to take a backseat. Sure, Harry says he doesn't want all the danger and attention, and he doesn't, but he would be able to sit and do nothing against what he feels is wrong, he is used to carrying an impossible burden on his shoulders. And he takes a leadership rule easily and naturally. Tom is used to getting his way, he is used to being able to either intimidate or charm what he wants out of everyone, something his partner should be immune to, but I think Harry would rile him up worse, instead of putting a stop to the behavior. Like, Tom would just try harder to break Harry before trying something else would cross his mind because Harry would make a sassy comment that would get Tom emotionally invested. He's going to get his pride and self-worth hinging on breaking Harry's resolve, and he is going to fail. Neither of them would ever be happy in the shadow of the other and it's going to be a constant push and pull with these too. Now, this sort of dynamic can be very compelling in fic, it's a fun story about a relationship that is truly insufferable to be around.

Neither of them is particularly emotionally intelligent or capable of emotional vulnerability. Like, Harry, who didn't know why Cho was crying after Cedric died, would need to be the person carrying the emotional tool in this relationship, and, like, I love Harry, but navigating emotionally volatile situations (specifically romantic ones) is not one of his many skills. Tom is even more useless in this department, he sure can recognize emotions in others, but he repeatedly underestimates emotional attachment, both in himself and others because his conceptions about friendship and love are all skewered. And with romance, he would be so much worse.

Add to all of that the fact both of them have one hell of a temper and it's more likely that they'd blow up at each other rather than talk shit out.

And then there is how I think they'll behave when they actually are in a relationship. As I talked about here, Tom is a sentimental and possessive person. When it comes to romance, I think Tom would want a person to be his, he'd be obsessed and controlling while simultaneously wanting to remain independent and do his own thing. He'd be a nightmare. And Harry, well, Harry would handle the independent, doing his own thing quite well, since I think Harry is the same. Even in a relationship, he'd need to keep his own independence and freedom, and that's where Tom's controlling nature is going to butt heads with Harry's distaste for any controlling figure.

I think Tom would struggle with Harry's lack of ambition too. Because Harry is clever, powerful, has the makings of greatness, and is an equal to Tom, but he isn't planning on doing anything with it. This would infuriate Tom, honestly. I think Tom would find many of Harry's passions (like Quidditch) frivolous and useless and would probably tell him that, which Harry would fight him on.

Harry's sassy nature, would also, get under Tom's skin if it's directed at him, Tom takes himself too seriously to make fun of himself and take a joke. However, he would appreciate these same comments when directed at others. Tom has a sense of humor, but he wouldn't make fun of himself, especially not a younger Tom Riddle when he's still in school.

There are aspects that would work, though, I think Harry would be willing to listen to Tom going on about whatever quite intently, and Tom would love that. Harry can pay a lot of attention to people he cares about, but he can also get distracted and just not hear anything being said to him (he tunes out some of Ron and Hermione's conversations regardless of his love for them. It can happen when you get used to being around someone) which Tom would hate. Although Harry would find Tom's monologing kinda annoying at a certain point, I think.

I think Tom would do good for Harry's self-esteem issues since Tom wouldn't accept Harry thinking of himself as average when he is equal to Tom. Harry would be pretty good for Tom's weird prideful self-hatred and could probably help push for an arc there. Both by showing Tom actual affection and by keeping his ridiculous ego in check.

I also think Harry would appreciate someone being protective over him and wanting him so much as someone who grew up feeling unwanted and like he never had anyone in his corner. And Tom, I believe, would be protective and possessive in a relationship (a little too much, but still).

Basically, both of them (but mostly Tom) need work before they can make a relationship between them work, and that's before looking at their history in the books which will always require some canon-divergence or AU to make this pairing work. Very possible, but it takes effort. Most of said effort goes into forcing them to talk properly, honestly, because Tom really wants Harry, his one failure, dead. Like, Harry would shockingly be the easier one to convince of this, I think. Like, he was willing to forgive Tom, he already sees him as a person and not a bogeyman. Plus, he thinks Tom is hot (the younger one at least). Tom (as Voldemort, during the series), as I said, sees Harry not as Harry but as a representation of his own failings, and until he gets that out of his head, I can't really see this relationship working.

When it comes to the "Harry time travels to the 1940s and goes to Hogwarts with Tom" fics it's easier to get them together because Tom has fewer complexes, but it's still not easy (Sure, he doesn't have 10 million complexes, just 7 million instead). So even then Harry has his work cut out for him and this relationship would be a trainwreck that might take collateral damage in the form of everyone around them being miserable with their bullshit.

The key point in all scenarios I mentioned is that Harry needs to actively pursue Tom because otherwise, it won't happen. Because Tom isn't going to pursue it on his own unless some AU reason pushes him to do so. I can see him getting obsessed with Harry easily in various circumstances, but while he'd pursue his obsession, I don't think it would cross his mind to date Harry. Not on his own, I just don't see Tom coming up with it without something to help him get there. Maybe (again in a time travel scenario) a younger Tom could pursue a fake relationship in pursuit of his obsession, but Harry would fight against it because he'd see through him. I also find it hard to imagine Harry pursuing this relationship with Tom through all of Tom's bullshit. I don't think Harry has the patience for that (unless he has a specific reason to do so).

I don't think Harry would pursue this relationship to begin with either. As I mentioned, emotional intelligence and romance in particular are not Harry's strong suits. He could be in love and not notice it because he shrugged it up to something else and he has more pressing things to worry about. If he does notice, he might try to pursue it, but it again depends on the AU or specific situation. I think he could flirt if he set his mind to it, but whether that's effective with Tom depends on which point in Tom's life we're talking about...

I wrote here about the trope of Tom finding out Harry is his Horcrux and, honestly, what I wrote there applies to any potential romantic relationship between them too. Especially if this trope is relevant in the getting-together stage.

All of this is without talking about the elephant in the room of their specific age difference that I'm kinda ignoring. In the books it's a difference of 54 years, which is a lot, but hey wizards and in fic scenarios, Harry can be an adult or they can be the same age, or, well, in fic you can do whatever even when said whatever situation would be messed up irl. I mean, irl I would never advocate for anyone to sleep with their parents' murderer, but this is fanfiction we're talking about so it doesn't really matter. It does mean that this isn't the kind of pairing that I think could be canon or even canon-adjacent. And though I like it better than Drarry in many ways, it's way less likely to happen than Drarry in the canon books as they are.

So, yeah, I like Tomarrry/Harrymort. It's fun, it's juicy, it's dramatic, it has great fics for it out there, but can it realistically happen without some AU? Not really.

(Also, you mentioned Tom and Hermione so I'll add in a little aside that I think that pair will get along worse than Tom and Harry. I think they would misunderstand each other a lot. And Tom, contrary to popular belief isn't going to appreciate someone who's trying to prove he isn't the smartest person in the room. I also think Tom wouldn't like Hermione's attitude over basically anything. I think Hermione would disapprove of Tom's general disregard for others' lives and well-being as well, and she would take more offense at it than Harry. I think Hermione is more likely to get intimidated by Tom than Harry too. Like Hermione would startle at something Tom says whereas Harry would call out his bluff)

[actually-factually-anonymous]

The unnecessary lack of personal stakes of Marinette Dupain-Cheng in the Agreste Arc

Inspired by a recent post by @starguardianniom, with half pinched again from my own reblog:

Marinette has zero personal stakes in the main conflict of her show, except that she happened to be the first girl who helped Fu across the road, and was thus chosen to wear the earrings. She doesn't even really seem to have any reason to be Ladybug aside from the basic "I can't sit back and do nothing" she stated in Origins. So a sense of responsibility conferred by being the bearer of the earrings, and an ostensible general desire to do good.

This would be fine, except that Adrien very much did have a reason to continue being Chat Noir. Plagg's Miraculous is the source of his freedom, and a new identity of his own making separate from the carefully curated child of Gabriel Agreste. Most importantly he had so much personal connection to the core plot that his narrative potential dwarfed Marinette's beyond compare.

His mere existence is the very axis of the plot, putting it in motion by the apparent desire for a designer child seeming being the very reason Gabriel and Emile sought the Miraculous all those years ago, and the consequences of his creation being the very reason that Gabriel devolves into magical terrorism. Hawkmoth being his father whom Adrien clearly cares for and whose goal of restoring his much mourned mother setup a truly impressive case for split loyalties for when Adrien (seemingly) inevitably learnt of his father's identity and true goal:

I made a comparison before between Avatar and Miraculous where Avatar won without question. Allow me to balance the scales here: the setup for Adrien potentially turning on Ladybug, or having to sacrifice his familial bonds for the sake of justice outweighed Zuko's own setup for choosing his ''honour"/loyalty to his family over his burgeoning sense of justice.

In potential at least. Rest assured that Zuko's character arc still far eclipses anything Adrien was ever allowed.

But the point I'm trying to make here is that in the very story that bears her name, Ladybug's only reason to be involved comes from the fact that she happens to have Tikki's Miraculous. She has no personal investment in the fate of Hawkmoth than other citizen of Paris, she certainly has no conflicting loyalties.

She doesn't even have a personal reason to continue being Ladybug. You can draw a parallel if you like with one of her ostensible inspirations Peter Parker, who learnt the price of personal inaction in a harsh and unforgiving manner that selflessly drives him to protect others. You can say that the Stoneheart incident fulfills a similar role.

But here's the thing: Peter Parker is Spiderman thanks to his radioactive blood. Ladybug is whoever wears Tikki's Miraculous. If Peter retires, he takes his powers away from the protection of New York. If Marinette gives up her Miraculous, a new Ladybug will arise in her place within a day. There's no need for her to be Ladybug, to take on that responsibility, and until the season three finale there's no personal stake for her to be the girl under the mask any more than any other Parisian citizen.

And that means that Marinette isn't the heart of her own story. In Avatar, it's Aang's quest to defeat the Fire Lord because it has to be him that restores balance. In Star Wars, it's Luke whose connection with Vader that has to restore Anakin's better nature. In just about any series there is a pressing need and personal stakes for the protagonist to be that The Protagonist of that story, that make that story their story.

But the setup here has all the pathos and personal stakes placed upon Adrien. Marinette is the centerpiece of the show, but Adrien's handed all of the narrative potential even as the writers let it go to waste.

It's like preparing a finely seasoned meal, then leaving it to rot as you serve plain vegetables. There's just no reason to have the vegetables when the fine meal is ready for consumption: and if that's a problem? If the plain vegetables were always meant to be the centrepiece? Then you should have seasoned the vegetables and made something delectable with them.

Because the saddest apart about Marinette having or actual ties or pathos to the Agreste Arc is that once upon a time that was not the case.

In previous Miraculous proposals, before the PV, Marinette Cheng was at least as part of the main story as Felix/Adrien was. There were various versions of how the story would go, with one echoing Cardcaptor's plot, and the later proposals looking more like what we got in the final product.

But all had Marinette having a personal stake in the story. In the Cardcaptor-esque plot, Marinette was Fu's granddaughter (or granddaughter figure), and Fu was the caretaker of the The Orb. A crystal that contained all the "fairies" (beings that served both the roles Kwamis and Akumas would later take). The story kicked off because Marinette brought her crush Felix into her Grandfather's store and accidentally broke The Orb, shattering it and allowing the Fairies to escape across Paris and empower countless people- heroes and villains both.

It was her mission to retrieve the Fairies, because she was the one who had released them. She was Fu's granddaughter and it was her responsibility to clean up her mess. It was her story, and Felix/Adrien was the one with less direct connection.

Later proposals ditched The Orb as the Kwamis were developed, but up until the most recent and final versions of the story Marinette retained Fu as either her blood Grandfather outright or at least a mentor so close from her childhood that she thought of him as a Grandfather. She also was usually being trained to be a Guardian or something like it herself from childhood.

She wasn't just a girl Fu found on the side of the road. She had as much connection to the Guardians and their world as Felix/Adrien did to Papillion. It even added a certain Montague-Capulet tragic element to the romance, since if Felix/Adrien and Marinette ever got together it would mean one having to choose between their partner and their family.

But for some reason, in the final product Marinette was stripped of all pre-series personal connections to the Miraculous.

The question is why? Was there really so great a need for Martinette to be "a girl like any other" that all of the plot relevance needed to be stripped out of her and added to Adrien, only to then completely ignore all that potential pathos by sidelining Adrien at every turn?

Because if you weren't going to do anything with Adrien, then all you've done is needlessly undermine Marinette's potential as a character.

Seriously, if you had given me the backstory of these two characters and asked which one was the main character: there would have been no chance I would have selected Marinette. Because all the writers have given her backstory is side-character material, whereas Adrien's very existence, as well as his relationship to his family and the Miraculous is at the heart of the story.

And I doubt there would be many others who would think otherwise.

[manitschilly]

My notes taken while reasearching the Zelda Timeline lol, mostly cannon a little headcannon in places. Also my Zelink rating aren't how much I like them it's how likely they are in the narrative.

Power: Din ->Demise->Ganondorf. The Gerudo give birth to a male every 100 years, and it's only ever been Ganon. The 100 year system got screwed though because Ganon keeps not actually dying. Pigs. Fire. Red.

Courage: Farore-> heros spirit (fierce diety?)-> Link. Only the hero's spirit is reincarnated in Link, so he's not the same person. Not related at all, except for Twilight Princess where Link is a descendant of Ocarina of Time Link. Wolves and horses. Lighting. Green.

Wisdom: Naydra -> Hylia-> Zelda. Every Zelda is actually Hylia reincarnated through a consistant bloodline. Loftwing. Ice. Blue.

-there is a void called Null

-The three goddess create the earth and the triforce, and that's their only relation to Demise, Hylia, and the heros spirit. They're not reincarnations at all, more like patrons. (Unwillingly in Dins case). Din created the land, Farore created life, and Nayru created order.

-possibly Zonai and Sonia and Rauru founding the first kingdom of Hyrule. This would imply there is a Ganon unconnected to Demise sealed for the rest of everything and a dragon Zelda floating around. Rauru and Sonias light and time magic start off the royal family.

-a long undisclosed time with robots for some reason

-A battle between the Hylia, Demise and the races in Hyrule breaks out over the Triforce. Hylia takes the Hylian kingdom into the sky to protect them, then becomes a Hylian to protect the triforce. She also created a sword with a spirit named Fi with her godly power. With Demise sealed for now, she waits to be born.

-Sheikah are probably started around here, as like a Hylia cult.

-Skyward Sword: First incartion is Skyward Sword, when Hylia chooses to be born as Zelda and chooses Link as her champion to hold the heros spirit. They fight Demise who then curses them to reincarnate forever, and establishes his own incarnation, kicking off the rest of the series. Hylia, now Zelda, is shown to use her time powers. Link, Zelda, and a few Hylians from Skyloft restart the kingdom on the surface.

Link and Zelda are in love, Zelda chosing Link specifically for that reason. This could imply that Hylia and the heros spirit are soulmates in some way, and every incarnarion after is an extension of that. They don't end up together every time, but that makes it even more beautiful and heartrenching. (Just to specify, Links aren't related so don't worry about it) 10/10 Zelink potential this shit is cannon.

Kikwi present. Impa is there as part of the Shiekah. Impa seems to be either a repeated name or a title given to Shiekah warriors meant to protect the reincarnation of Hylia, not their own incarnation.

-another very long time gap

-evil sorcerors are after the triforce which is hidden in the sacred realm. A new temple of time (after the one in Hylias time used to hide the sealed Demise and Zelda) is built around the master sword, which has been holding in Demise this whole time.

-Another long time passes. Zelda's descendants have become the royal family. Princesses are named Zelda after the original incarnation (note, they aren't all reincarnations, just named after her). There is still a lot of magic floating around the bloodline.

-sheikah are sworn to Hylias blood and therefore the royal family.

-Hyrule is again in danger, a special species called the Minish come from the sky to protect them with a special sword, which was then wielded by an incarnation of Link.

-Minish Cap: a bitch named Vaati wants light powers, turns the current Zelda (actually an incarnation, you know because there's a hero) to stone, and that times Link turns the Minish's sword into the 4-sword. Zelda is the light power source, as the light power is still in the royal family. 8/10 Zelink potential

Gorons present

-Another time skip

- Four Swords: the four-sword is used to defeat Vaati again by another Link and Zelda incarnation. 6/10 Zelink potential

- time skip

- Giant ass civil war

- shiekah go into hiding but are still used by the royal family for sketchy shit. (Queue shadow temple 'nam flash backs)

- the first actual Ganondorf is born, or the second depending on if the Zonai are before or after.

- Ocarina of Time: Ganondorf is born as king of the gerudo, and pretends to be allied with the king to gain access to the triforce which is still in the sacred realm, sealed with the master sword. This Link incarnation pulls out the master sword as a child and opens the sacred realm, allowing Ganandorf access to the Triforce, the triforce of power attaching itself to him forever. This also gave Link the triforce of Courage and Zelda the triforce of wisdom. The sacred realm becomes evil and Ganondorf is sealed in it. There's a lot of time travel and it ruins just everything.

Zora, Kokiri, Gerudo, and Gorons present.

Great deku tree dies and is reborn.

and now shit hits the fan

Fallen hero time line

- Ocarina of Time: Link freaking dies and Ganondorf wins, taking the while triforce for himself. He still gets sealed in the corrupted sacred realm, but now he has the triforce. 0/10 Zelink potential long term, as Link is dead, but like 8/10 short term.

- time passes and homies keep going into the sacred realm to get the triforce but they never come back and monsters keep coming out. The sealed it again, at great cost of life and resources

-Echoes of Wisdom: a dark being called Null that was the nothing before the three goddess's created Hyrule starts taking over Hyrule with Rifts. Zelda gets kidnapped and Link is called to save her, but immediately after gets dragged into a rift and Zelda saves Hyrule from Null, who for a second owns a piece of the Triforce. At the end Null is defeated and the Triforce is restored. 10/10 Zelink potential it was glorious

- A Link to the Past: Agahim, some bitch, takes over the kingdom and the remaining sages to break the seal on Ganon. This reincarnarion of Zelda magically contacts the new Link. He kills Ganon and uses his newly acquired triforce to put everything back to normal. Now the royal family has the triforce. 7/10 Zelink potential. Same Link then has Links awakening acid trip. I'd knock down the Zelink potential but Malin like isn't real so.

Zora present

-Oracle series: same Link then has another acid trip but this time it's real, ending with Ganon being brought back to life as a mindless force of chaos. Ups Zelink to like 8/10, and confirms existence of other kingdoms beside Hyrule that aren't in another dimension.

- triforce splits again somehow, power returns to beast Ganon

- time skip

- A Link Between Worlds: new Link, new sages, Lorule exists so that's fun, opposite Hyrule dimension without a triforce. Ganon is freed and eats a man probably. Confirms this Link and Zelda have their respective triforces. Upon returning to Hyrule, the triforce is again in 1 piece and peace is restored to Hyrule and Lorule. 8/10 Zelink potential and like 9.5/10 Hildio potential.

- same Link goes to Hytopia, yet another kingdom in the same dimension.

- time skip. Great time, royal family again has the United triforce.

- King breaks up the triforce and sends Courage to the next Link incarnation, hiding its physical location from all except his daughter Zelda. New King puts that Zelda under a sleeping spell and regrets it. Tries to rule with just power of Wisdom but it doesn't go great.

- time skip

- The Legend of Zelda: same Ganon steals the triforce of power, new Zelda and Impa. New Link, without triforce of Courage, again postponed Ganon

- Adventure of Link : same Link is helping Hyrule not burn down, when suddenly he is given the triforce of Courage mark. He wakes up the old Zelda. I'd say the Zelda born in his time is the actual incarnarion, the older Zelda just a princess. 9/10 Zelink actually but like also he's a little weird with old Zelda to little odd but okay.

Child timeline

- Ocarina of Time: Link defeats Ganondorf and is sent back in time to relive the childhood he didn't have. He warns the royal family before Ganondorf can gain any power and therefore the events of Ocarina of Time never happen. Link leaves on a horse to look for Navi and has a Majoras mask acid trip. 10/10 short term Zelink and like 2/10 longterm, but also one of my favorite dynamics. This is one of the tragedy timeliness, where Zelda loved him before sending him back in time (Sheik was a simp). He could have ended up with this Zelda, but he probably didn't because his descendant in the next game isn't royalty like at all. Scrodingers Zelink, if the next Zelink happened then this one didn't, but we don't know if it does.

-Twilight Princess: Ganondorf is banished to the Twilight realm, where the wizard sent there a Hella long time ago got busy. He gains power with a guy named Zant who takes over the Twilight realm and breaks out to Hyrule. The princess of the Twilight realm named Midna finds the new Link incarnation, an actual descendant of the last one and holder of the triforce of Courage.

Link is trained by the like ghost of the hero of time, who is an adult and missing an eye. The hero of time means nothing to this Hyrule because Ocarina of Time never happened.

They kill Ganondorf finally holy shit and the Twilight mirror is shattered, forever separating the two places.

Like 8/10 Zelink potential, frick Illia freaking hate her. I follow that Zelink both had a crush on Midna but she's gone sooooo

Gerudo, Gorons, and Zora.

-big ass time skip

-Four Sword Adventure: new Ganondorf is born finally, but is like immediately sealed with the 4-sword by a new Link. I don't think there even is a Zelda so 0/10 Zelink potential

Adult timeline

-Ocarina of Time :This is what's left when Link gets sent back in time. Ganondorf is sealed in the corrupted spirit realm and the triforce of Courage shatters into 8 pieces, master sword is returned to the temple of time. 10/10 horribly tragic Zelink poor Zelda good lord.

-time passes without any reincarnations.

-Ganon escapes his seal in the sacred realm but there's still no Link or so Hyrule is effed. The gods flood Hyrule, society continues on mountaintops that are now islands and Hyrule is frozen underneath a giant ocean. The Triforce of Wisdom is split in two between Zelda, who stays on land, and her father, in the frozen Hyrule.

-Time passes badly

-Windwaker: Gannon escapes to the surface and kidnaps "girls with pointed ears", or descendants of Hylia. A new Link appears and gets the master sword from the frozen Hyrule, but it doesn't do shit until he fixes the triforce of courage. The king appears and bestows Links pirate captain the other half of the triforce, as she's reveled to be this time's Zelda. The triforce is restored and the old Hyrule gets genocided. Ganon is sealed, not dead, and Link and Zelda/Tetra go to establish a new hyrule. 10/10 Zelink potential this is some good shit. Rito, Kokiri, and Gerudo present

-Phantom Hourglass: Same Link and Zelda have a bit on their quest, no lasting consequences except for 11/10 Zelink potential. They discover New Hyrule.

-Spirit Tracks: some train shit in New Hyrule, new Link and Zelda have a soft romantic adventure with no lasting consequences except no more trains. 10/10 Zelink it's the whole plot.

Gorons present

After or before

-all the three timelines get just apocalyptic and society is just like gone, so the Zonai come from the Heaven's and with their arrival comes the merging of the three timelines.

-OR potentially Rauru and Sonias time is actually before Skyward Sword, as Ganondorf isn't actually a reincarnation. This would imply that every other game happens inbetween Rauru and Sonias time and Breath of the Wild, which i like better but it makes some leaps in logic, however it also explains the existence of both time and Light magic in the royal blood line.

-time passes

-Hyrule is once again reformed OR formed for the first time, by the last of the Zonai, Raruru and his Hylian wife Sonia. The incarnations are still going strong, so Ganondorf is born but their kind of hosed because there isn't a Link or Zelda OR the incarnations havent started yet and this is the first Ganon, before he was tied to Demise.

Luckily, either way, a Zelda comes from the future, and after a battle ending in the death of Sonia, Rauru uses himself to seal Ganondorf away and Zelda turns into a dragon.

-Time passes, the kingdom grows and hyrule castle is built over Ganondorf.

-Time passes and either all the other games happen or nothing happens, either way Zelda is still a dragon.

Definitely after

-a Link and Zelda are reincarnated to fight Calamity Gannon, whatever is left of the monster Ganon that was never killed in the other timelines. They, with the highly technogically advanced Shiekah, build weapons and postpone his return. We don't know much but like 8/10 Zelink I don't know could be cool. Shiekah go off, creating shrines and all types of shit.

-abreak off of the shiekah called the Yiga form, which is like the shiekah but for Ganon instead of Hylia.

-Breath of the Wild: a new Link and Zelda are born. They are so far ahead that they no longer have a grasp on the incarnations before them besides a few sparce legends. They know Ganon is coming back but they don't know who he is. They know Zelda is suppose to have powers, but they have no idea how she's gets them. Link finds the master sword in the lost woods, guarded by the great deku (the 2nd actually the first one died somewhere).

So they fail, whoops. Link dies and gets put in a Sheikah shrine for healing while Zelda holds of Ganon for 100 years.

-hyrule collapses and turns into almost a tribal society very unconnected.

-Link wakes up, wrecks havoc, and defeats Calamity Ganon, freeing Zelda and starting the reconstruction of hyrule.

10/10 Zelink potential. We got the before when Zelda cononicly loved him but we don't know Links feeling, and then Link might remember her and its like a reuniting thing and it's lovely or he doesn't and they fall in love again. Or possibly he didn't love her before and either way its a saga and his rubber band was in her study in "her" house thats all I'm saying.

-7 years, hyrule is being rebuilt by Zelda.

-Tears of the Kingdom: A sickness is spreading through Hyrule, Zelda and Link go to investigate and find what's left of the Ganondorf Rauru fought, who is either the first ganondorf or the most recent one. Zelda is sent in the past to Sonia and Rauru, along with the destroyed master sword.

Zelda is turned into a dragon and lives out thousands of years as one, potentially during every other game in the series. If so, the cloud layer established by Hylia was probably around until the upheavel, hiding her.

-The Upheavel happens and the world gets a little more cracked out, but Link defeats the Ganondorf and Zelda is turned back to her Hylian form. 11/10 Zelink potential and the dragon bit is so upsetting.

The three goddesses are present as dragons. Are they dragons? Are they just manifestations of their power? Idek but it's sick.

What the hell is Beedle? I read a fanfic once that he never dies because he helped Hylia once and it was really good so I highkey stand by that.

Sages kinda hop around, usually there's 7, one for each major group, even though not every race exists in every game. Are they extensions of the gods somehow?

(Rito, Zora, Gerudo, Gorons, Hylians, Shiekah, and whatever weird shit they got going on that game usually just Zelda)

One main issue with the Zonai before theory is that there's all the races when the Rito specifically doesn't seem to exist outside of the adult timeline.

There is a possible Kikwi, Kokiri, Korok pipeline.

I prescribe to the fierce deity as the original hero incarnation because it's just fits well and I'm obsessed with him, but it it doesn't really matter either way. I also read a fanfic once where the Fierce Deity loved Hylia and fought with her against Demise, but he died and the hero's spirit in each Link is what's left of him. Also read one where he saved Farore once from Demise and that's why he's specifically blessed with courage. Might have been the same one. I cannot remember it is 5:30 am and I haven't slept yet.

Ears are cool and plot relevant. The closer they are the Hylia the pointier their ears are, they get less pointy over time. Which adds to the Zonai being before because they got the pointiest ears. Also Gerudo ears get more pointy as time goes on.

Din gerudo pipeline? That's interesting. Farore and Nayru don't really have anything like that. Hylia has the Hylians but that's it.

Great Deku tree? Who? How? Why is he still kicking? Kind of adds to the Before Zonai theory or else he would have had to survive whatever apocalypse destroyed everything

In summary, somebody off me and therapy is probably a good investment.

[mrs-gauche]

So, on the new teaser published on DA Day this year, while I won't even try to go as in-depth as the amazing @felassan already did, compiling everything of note in this excellent post, like the sleep deprived German with limited vocabulary that I am, I'm just gonna add my little two cents to it, hopefully not repeating too much of what has already been mentioned. 😁

So why not start with the caption here!

This honestly made me snort out loud. 😂 I mean, it's like BioWare is not even trying anymore to be subtle about the fact that Thedas has we know it is 100% doomed. lol And yes, I know we all joke about Thedas constantly being in Apocalypse mode, but this time it really feels like some massive change is approaching.

But to be specific, I am pretty confident in that this is referring to both the destruction of the Veil, as well as the freed Evanuris dooming the world through some kind of mega Blight.

When I first read the word "revelation", it immediately made me think of Solas' Tower tarot card. The Tower literally represents sudden, disruptive revelation and potentially destructive change. While "damnation" is the concept of a divine punishment, to be "doomed to suffer in hell forever".

And as felassan theorized, if the last person in the teaser speaking is Elgar'nan, and if he is in fact connected to the Old God Lusacan, who is the God of Night, bringing about the "eternal night" and darkness…

“Lusacan, the Dragon of Night, calls to you. He lives where it is darkest and waits for the day he will rise. Drink of his blood and know the power in darkness: either fear the Night or wield it." "The darkspawn yearn to awaken and corrupt Lusacan to start a new age of darkness." “A night that will never end”

...Whereas the "revelation"/Solas tearing down the Veil, to me at least, always seemed to be associated with light or "purification" (for lack of a better word), with how it was described in Sandal’s prophecy and the way the destruction of the Veil was portrayed in the 2022 cinematic, almost blindlingly bright. (Also, "Solas" literally means "light" in Irish. lol)

„One day the magic will come back. All of it. Everyone will be just as they were. The shadows will part. And the skies will open wide. When he rises, everyone will see.“

So I think, like this "revelation" contrasts the "damnation", like Light and Darkness, at least in terms of visual language, there could be a hint of a figurative, as well as a literal "clashing" of two opposing forces? Like, both are destructive, but like The Tower represents destruction in order to rebuild/to enforce new growth/for the soul to evolve, while the damnation is nothing but irreparable corruption?

Anyway! So generally speaking, the teaser highlights yet again three of the factions/places we've seen in all the 2020 teaser/concept art/books/comics. It looked absolutely gorgeous and the voice over gave me goosebumps, as well as the amazing score again (that may or may not be composed by Hans Zimmer and/or Lorne Balfe lol I wonder) and the sound design! <3333 Though what’s curious to me, is that neither the Shadow Dragons of Tevinter or the Veil Jumpers from the Arlathan Forest were mentioned this time around…

So, I think this time the teaser might be more about the main plot beats/quests in the game than about the protagonist's potential origins, like how in DAO and DAI, you travelled to various places gathering allies and completed their respective narratives first before facing the main threat. Each of the places shown is coupled with a voice over from what is most likely gonna be an important character in each of these plot beats.

The fact that they changed the word "hero" in the plot blurb on the official DA website to "leader" is also.. interesting. It kinda reminds me of when Mark Darrah mentioned that the "vision statement" for Joplin was gonna be "We would be heroes, but the records are sealed". 👀 Or maybe the new protagonist might not be so heroic after all and more on the morally grey spectrum, which is always nice to explore. lol Makes me also yet again wonder about the "They call me the Dread Wolf. What will they call you when this is over?" line, meaning that, no matter how heroic our actions might be, in the end history might still remember us as the villain.

Antiva

This looks phenomenal and if they actually manage to realize a city as big as what this suggests AND fill it with meaningful content and people (side-eyeing you, Val Royeaux lol), it will blow my mind! lol Like felassan said, I'm very curious if we're gonna do some Assassin's Creed style "parkour" here, like what was kinda described in the short story "As We Fly" from last year! The Crows as the only real military defense of Antiva, particularly in Treviso, seem to be in deep trouble now, having been invaded by the Antaam and if you look closely, you can actually see the banner of the Qunari being displayed in the city!

"We fight for everyone. And we always will. The Crows rule Antiva."

My first thought hearing the voice here was actually Caterina Dellamorte. The lines express authority or leadership and it's also a more elderly sounding voice (to me at least), so Caterina as the First Talon would make a lot of sense to me! There have also been lots of speculation about her grandson, Lucanis, being a potential companion as well.

Rivain

(Oh no, all of Rivain got eaten by a squid. lol)

I've been hoping to go there ever since I first saw concept art of Rivain, and this is still giving me huge Pirates of the Caribbean (but with magic) vibes. 😂 As someone who thoroughly enjoyed playing AC Black Flag like ten years ago, this looks VERY promising! Though please, if we're getting any kind of underwater combat (like with the Vinsomer mentioned in the codex entry from last year), just don't make me fight dragons underwater, I'm still traumatized by the Lagiacrus in Monster Hunter Tri. 💀

"Glory to the risen gods. They come to deliver this world."

As to who is saying this, honestly, no idea. 😂 The blurb on the website mentions dragons in this place acting up for some reason, and the line sounds very cultist. lol But I'm definitely with felassan here, too, that this has to be connected to the Evanuris as well, given this GIANT squid thing on the map and all of the horrifying ocean related stuff linked to Ghilan'nain and her monstrosities, my money is also on her being one of these "risen gods".

And honestly… If I was a simple sailor or pirate and then one day I would see this emerge from the ocean…

….I'd probably start believing in these "gods", too. lmao

Anderfels

Next up, we're going to the Anderfels and Weisshaupt and I don't really have anything to add to what has already been said, other than "Shit is definitely Going Down Here". lol Lorewise, it would be crazy to go there and learn more about the very beginnings of the Wardens at their headquarters, so.. given the lines, the ominous sound of battle in the background here and some *things* from those reddit leaks earlier this year (felassan made a great post about this too, but spoiler warning of course!).. I just hope there will be enough left of Weisshaupt to explore after all this. lol

"Grey Wardens don't hide in our castle. I won't ask good soldiers to turn tail and run."

My first guess was the First Warden as well, but felassan actually made a few very good points here that make me question it… 🤔

I was also wondering what these "pillar ring" things are and while I first thought some kind of magical defense mechanism, I saw a reddit user suggesting that these rings could be part of a griffon training flight path?? Hell YEAH. #BringBackGriffonsInDA4

"Tremors have been creating disturbances of late. Their cause is unknown. Upon the distant horizon, a storm of ominous intent brews and darkens the skies."

That is a very interesting description, given that the sky in *this* concept art (which is definitely also showing Weisshaupt), is quite clearly the opposite of "dark". lol

(*looking suspiciously at the things I mentioned at the beginning here about "Light and Darkness" clashing* 👀👀👀 Maybe Solas came to visit here, too, because he just loves the Wardens, right? lol)

You know, if I read the words "tremors" and "Grey Wardens", my natural conclusion is "Something something Old Gods Underground + Grey Wardens Trying to Kill Them Before They Awake = Nothing Good" (and let's not forget about the eleven(!!) mountains/Ghilan'nain's ancient pools underground mentioned in Tevinter Nights as well), keeping in mind that Solas gets furious about the Wardens deliberately searching them out and slaying them (because he obviously knows what's gonna happen if all of them are slayed(!)), and in DAI there was already something ominous going on at Weisshaupt...

And all of this coupled with the new vinyl artwork and all the promotional stuff for DA4 so far, makes me feel like the Wardens will be busier than ever before...

Seven semi-circles with two of them still "lit" and the "tambourine"/Veil looking more broken with each new update....

Seven Old Gods/Evanuris that were banished when Solas created the Veil.....

Seven mirrors shattering....

Seven gates of the Black City, which Kordillus Drakon prophesied will someday shatter and cover both the mortal and spirit realms in darkness....

And speaking of "DARKNESS COVERING BOTH REALMS".....

Tevinter

One word: TENDRILS. lmao

So the last shot shows a big part of Tevinter on the map, most of it covered in purple clouds and tendrils...

Followed by a voice that had me like

"All the world will soon share the peace and comfort of my reign."

First off, that voice actor sounds SO familiar, omg, who IS that?? Someone suggested Joseph Capp, the voice of the Shadow Prince from Divinity 2 and that fits perfectly (DOS2 has quite a few VAs from DA actually and funnily enough, the Shadow Prince is part of Sebille's main quest, who's voiced by Alix Wilton Regan lol) Whoever it is, they're doing a great job at sending a shiver down my spine. lol Like, you can just TELL, he's the Real Deal. "Peace and Comfort" never sounded more menacing. 👀

Alright, so I'll make this short, and say that I'm also very very confident that this is Elgar'nan speaking.

People have suggested the Archon, the Black Divine, some Venatori or Qunari leader, but honestly guys, none of these make much sense to me when looking at the bigger picture here (aside from the visual hints I've talked about earlier). Like, this teaser is obviously trying to set this person up as a serious threat to *the whole world*, and the only way I can see this work would be if this person held just as much or more power than Solas, because if they don't, they would just end up being a secondary concern, like another Corypheus…

You just don't market a game by suddenly introducing a new smaller threat to *"AAALL THE WORLD"* less powerful than the one we already have, you know. 😂 And imo, the only one "outmatching" Solas in terms of power, at this point, would be Elgar'nan or any of the elven gods. Or literally the Blight itself/the Titans.

And then there's this

"Hundreds of years in the making."

We know who has been directing the course of history for ages behind the curtains… I mean, the entire series has been building towards Mythal getting her vengeance.. and what better way to finally get to that point than to bring her husband into the narrative, the one who was potentially the main instigator of the Evanuris's betrayal and Mythal's murder. 👀

(There's one thing I need to say though, and I know this is the silliest of nitpicks, but.. if that guy really does turn out to be Elgar'nan, am I the only one who thinks it's really funny how he's just… talking British English/the common tongue like that? 😂 I mean, I 100% get why they cannot make the actors talk in ancient elven with subtitles for the whole game (something I personally really appreciated when they did it for some of the ancient elves and spirits in DAI), like Corypheus wasn't talking in the old tongue either, and I feel like there are multiple reasons for why this just wouldn't work. And if we're looking for a lore reason, I guess even the imprisoned Evanuris had somehow enough access to people's dreams over the course of thousand years to learn the languages of present Thedas as much as Solas or any other ancient elf like Abelas or Felassan did, but it's still funny to me nonetheless. lol)

Anyway, the teaser ends with a dragon's growling sound and then another wolf howling in the back, which I interpreted as Solas giving Elgar'nan a fair warning here that he's indeed still the title-giving DAD character. lol If we get to see these guys battling it out for real, like Giant Demon Wolf vs Black City Sized Blighted Dragon, it's already the best game in my book. lol

You just know someone at BioWare is having a blast at coming up with as many references to Solas' Trespasser dialogue to put in these blog posts as possible. 😂 I just hope they can keep this promise, cuz I have a LOT of questions (and I need Solas to answer ALL of them lol).

Hmmm... You "hope so", yes? Well, after *this* teaser I sure *hope* that the sentiment of "the enemy of my enemy is my friend" still holds true in this particular situation, because I'd rather still be on Team Solas if I have to choose between "revelation" and "damnation". 👀

I guess we'll see next summer... 😁

[goodqueenaly]

I looked at Fan Wiki for lists of Westerosi Houses with Valyrian steel swords and wasn't sure how exhaustive it was. Was wondering if House Webber or House Westering or whichever have Valyrian steel swords, would we know and therefore must not have one?

I just mentioned Houses Westerling and Webber because of an alliteration and also they were houses the narrative had spend a not insignificant time with.

Do I think that there are plenty of other Westerosi Houses, beyond those already noted, which currently posses Valyrian steel swords? Very much so. Yandel cites Archmaester Thurgood's Inventories to report that “in the Seven Kingdoms there are only 227 such weapons … some of which have since been lost or have disappeared from the annals of history”. GRRM has Tyrion confirm almost this exact number when he, Tyrion, muses that “thousands [of Valyrian steel blades] remained in the world, perhaps two hundred in the Seven Kingdoms alone” - and if the author’s closest in-universe mouthpiece and a pseudo-nonfiction book in universe agree, I don’t think the author is going to suddenly say “gotcha, actually there aren’t any other Valyrian steel swords besides those we know”.

Do I think either the Webbers and/or the Westerlings specifically have a Valyrian steel sword of their own? Maybe, but I wouldn’t necessarily bet on it for either of them. Certainly, the Westerlings seem like one of those old blue blooded Westerosi Houses who could very well have, in olden times, purchased or received from their royal Lannister lieges a Valyrian steel sword. If the Westerling fortunes are rather less than impressive by the time of the main novels, this may well not have been, and indeed likely was not, the case some four or five centuries ago; with those choice lands not yet sold off, those mines not yet exhausted, and those Westerling daughters perhaps more recently married into the Lannister royal dynasty, the Westerlings may have seemed the sort of rich and upstanding Westerlands lords who could use, or afford, one of the rare and costly blades trickling in from Valyria. However, obviously no mention is made of such a blade by any of the Westerling characters in the main novels, including when Robb is eager to justify his union with Jeyne to his mother - a far from definitive omission, but to be considered nevertheless.

Even less, I think, can be speculated about the potential for a Webber sword. We’ve only really met a member of the Webbers (the Windblown sellsword notwithstanding) in “The Sworn Sword”, a story which by its very nature may have been an improper vehicle for introducing an ancestral family blade. Indeed, so much of that story focused on Lady Rohanne’s dilemma of being a ruler in her own right in a misogynistic, patriarchal aristocratic world - a world in which women wielding swords is at best unusual, if not openly criticized. Rohanne, in turn, may have had little narrative opportunity or reason to bring out a Valyrian steel blade and say, essentially, “oh by the way look at this”, and still less to put such a blade in the hands of her champion and wass would-be fiancé, the grasping and thoroughly unlikeable Lucas Inchfield. Nor indeed do we get any sense of the more ancient history of House Webber (beyond the last generation, anyway), to have an understanding of whether the Webbers would have been sufficiently exalted and/or wealthy enough to have gotten or been given a Valyrian steel sword.

Do I think either House having a Valyrian steel sword will be revealed? Not particularly, or at least I have no strong feelings about this happening. While I definitely anticipate that, as the threat of the Others’ invasion becomes more widely accepted and the realm rallies to unify in order to face it (and any related magical threats, such as Euron), there will be various ceremonies and moments of Valyrian steel sword pledging and contribution, I don’t think the Webbers or Westerlings will necessarily be involved. I’m not even sure that the Westerlings will survive past the TWOW prologue, at least of the ones we know: I’m fully convinced that the attack on the Lannister train by Lady Stoneheart is going to result in the deaths of Sybell Spicer and her (surviving) children, and I wouldn’t exactly be hopeful for Lord Gawen in that context either. I have far more hope of seeing more of the Webbers, at least in the timeline of Dunk and Egg - I’m very much convinced that there were specific geopolitical dimensions to the Tion Lannister-Rowan daughter betrothal that GRRM could very much discuss, and there is certainly no way that GRRM doesn’t explore the mysterious disappearance of Lady Rohanne herself - and so slightly more belief that a Webber Valyrian sword, if it exists, could appear on page. Still, I’m not sure that we’ll see any Webbers in the main novels (again, that Webber sellsword notwithstanding), when their Valyrian steel sword might be most useful.

(But really, if the Westerlings do have a Valyrian steel sword and it’s not called “Honorbound” there is no justice in the universe.)

[viviennevermillion]

Mortals and Fools — First Look #1 (Coming Soon)

Want to read a SFW coming-of-age fantasy novel with evil gods, two adult aspec protagonists and magic? Consider supporting this project!

Author's Note: After a total of 8 years of posting fanfiction on this account, I am excited to announce that I am finally starting my first long-term original work as an author! Goal is to get this series published as an actual novel but until then, I will be uploading chapters online as I write them, hopefully building an audience in the process! Mortals and Fools will be available on Wattpad and potentially other platforms. The first 4 chapters will be uploaded to Tumblr as well. Over the next few weeks I will keep uploading promo posts with new characters and more info! Thank you so much to everyone who has supported me as a writer over the years and welcome to everyone who's new here!

Summary: In the land of Elsthess, brilliant but arrogant Dr. Immanuel Faust is doing his best to follow the teachings of the Goddess of Wisdom, live up to his late grandmother's expectations and hide the fact that he has been seeing strange, mystical apparitions all his life. When his pupil becomes afflicted with an ancient curse and the things he has seen turn out to be more than just hallucinations, Immanuel must forge a contract with Morgan, a being from another realm who's ready to humble him at every turn, and learn his religion's most despised art: magic. As he steps outside of the simple world he has grown up in, he slowly comes to realize that there is much more to learn for him still.

Themes:

The Meaning of Wisdom & Growth

Unlearning harmful narratives and prejudices

Religious Trauma

Healing from Abuse

Rebuilding trust in others

Learning to understand others

Navigating radical changes during adulthood

Elitism and class inequality

The problems with the ideal of meritocracy

Queerplatonic & Alterous Attraction

Addiction

Gender Dysphoria

What this story contains:

A variety of fun magical powers!

Evil Gods & Forces from other Realms!

Queer rep! (demisexual & aroace protagonists, a trans man and a wlw couple)

Mysteries to unravel

The coming-of-age fantasy adventures you're used to from YA novels but with characters in their 20s and struggles of adulthood

Humor

My blood, sweat and tears as an author

The Cast: Introducing 3 Characters

Here's some info on the three characters in the header, from left to right!

#1 — Dr. Immanuel Icarus Faust

❝ It wasn't supposed to be like this... I've failed... as both a doctor and a man of faith. I wanted to follow your teachings, dear Goddess, and guide those who seek wisdom and knowledge, as grandmother did... but I couldn't even save one innocent girl. Have I become godless? ❝

Raised by his grandmother, the High Priestess of Solbrynn's temple, Immanuel was taught from an early age on to aspire to be the best in everything he attempted to do and dedicate his life to wisdom, in order to make the Goddess Adira proud. Having become a renowned physician at the age of 28, Immanuel understands himself as his kingdom's ideal of a self-made man: a scholar who can achieve everything he puts his mind to, no matter the circumstances. As a result, he has put himself on a pedestal, believing that those who achieved less than him had all the chances and merely didn't use them. Fearing nothing more than failure and becoming anything like his absent, alcoholic father; Immanuel is bound for a rude awakening.

#2 — Morgan Miralaith

❝ While you were having your existential crisis in the mad scientist laboratory you call your bedroom, I took the liberty to read your grandmother's diary. The good news is, I finally understand where all the hubris comes from. ❝

Morgan, belonging to a long-lived species from the realm of Calliah, is the second-in-command for the Elsthess Resistance against the Plague Avatars. While the Resistance on Mhorunn regards her as a capable leader and a skilled fighter; using fire magic to blaze her way to victory; it is clear to most that she has many secrets and ulterior motives. She cares about others in her own way, yet hardly lets anyone close to her. With her mischievous demeanor and cynical nature, Morgan has made it her new mission to recruit Immanuel for the Resistance and, while at it, shatter his very distorted self-image and worldview. Upon forging a contract with her, Immanuel believes that he has sold his soul to a demon. It is only upon meeting others of her kind that he realizes that really is just her personality.

#3 — Mortis Grimm

❞ People reject that which is foreign to them. You of all people should know this. Still, my personal aspirations and origins are of no concern to you. Remember that. ❝

While there are several people from the Realm of Calliah in Elsthess, the realm that Mortis Grimm originated from is unknown. He seems to be the only one of his kind and there is something sinister about him. Wielding powerful magic that matches no other in recorded nature, Mortis, despite being the leader of the Resistance, is a big mystery to all of its members. Usually donning a Plague Doctor mask, Morgan is among the few to have seen his face. He is Mhorunn's greatest ally, but hardly a trusted one. Most understand that he could just as well become its greatest enemy one day.

Interested in reading more and receiving updates as they're posted? Comment on this post and tell me if you'd like to be added to the taglist! Reblogs are appreciated to spread the word! 💞

Taglist — @gwaaaaar @silveryloneliness @noxochicoztliv @justletmeon12 @averytirednerd @letsallsleepoverwork @styrofauxm @non-pressurizeddiamond @mangoinacan13 @amateurmasksmith @kenobiblue @soru-dee @pictures-of-the-stars @elf-osamu @animusicnerd @jaytherat-hometothereblog @watcherofeternalflame

[ride-thedragon]

You know, I'm glad they did not give Nettles' story to Rhaena.

Truth is, even if Show! Velaryons are black and therefore Laena's daughters are black, they still take part in an elitist society and part of a race considered the most beautiful and most powerful of the world that used to have an empire that took part in the Conquest of Westeros; and the Velaryons are also considered to have magical Valyrian blood like the Targaryens.

And even if Rhaena is not a princess because her relation to King Jaehaerys is that of a great-granddaughter/great-great-granddaughter through her father and mother; Rhaena is still a lady of House Targaryen, the most powerful family in the world.

Rhaena has lived with her stepmother, stepbrothers and half-brothers for so long she knows a lot about dragons and because of that she would never have to retort to herself slitting the throat of a sheep and would never get to sleep in dirty alleys and have so many scars from encounters with merchants.

Not even Baela, who is a tomboy, has the narrative of sleeping near commoners nor having a thief scar on her nose.

Rhaena has the privilege of the highborns and most specifically the privilege of being a Targaryen; whereas Nettles is a commoner girl who has had to adapt to live as a thief to survive and whose only proof she's a dragonseed is that she claimed Sheepstealer, and even then, her method is not exactly common among the current dragonriders even if the original ones did it that way.

Personally I dislike the theory of Nettles being Daemon's daughter, Daemon is explicitly described as fond and preferring of Valyrian maidens, and given Nettles' looks it's obvious her mother was not Valyrian; and if Nettles was his daughter we have to remember that's the only form of incest the Targaryens never ever had.

In my own headcanons, Nettles has more possibilities of being a descendant of Aegon the Uncrowned who was known for entertaining many maidens, or Maegor Targaryen, and she could even be a descendant of Daemon Velaryon the brother of Queen Alyssa Velaryon as they themselves had Targaryen blood.

I agree mostly. It's not a narrative that makes sense for Rhaena. No matter how they try to position her. Even if we look at her show characterization thus far, it would be unfortunate to give her another plot. I see a lot of people saying they're glad rhaena has something to do, but it's a disservice to her character. As though the show couldn't think of a role where she isn't head first in war even though she's such an important character towards the end of the dance. They just have to get a Vale plot, which could simply be her teaching the boys as best as she can and looking over dragon eggs. But they didn't give her morning.

I have no idea what their plan is. What I do know is that if it happens, it doesn't make sense. Nettles' story is important, and seeing as the fans have found a way to push her specific arcs unto every character that breathes when Nettles isn't on screen, it's more difficult to replace her in the story. It's a disservice to them both.

Nettles isn't Daemon's daughter 100%. He's a weirdo, but he isn't insane. He'd groom 100 teens, but he wouldn't sleep with his daughter. We know that because he largely ignores them in the show.

Lastly, I do see the Nettles is a bastard of theories as a waste of time. They don't make sense why George would go through all the trouble of her appearance and story just to be like she she great grand child of Aenys through a bastard that ended up on Driftmark. It's odd. But if I had to guess, I could see Aegon the auncrowned potentially, maybe even Jaehaerys or one of his sons. Perhaps a Baratheon. Who knows.

Overall, now we just wait and see. I, for one, won't be tuning in as much if she isn't included. (Rhaena and Baela scenepack folks, you'll have my subscription). They seem to have forgotten Alysanne and Sabitha as well. I do think if she is included, her arc will be different, but that's another thing I just will hold off on until she's announced. And if she isn't, it's been fun. As for Nettles' theories, my personal HC is that if she is a bastard, it's from Jaehaerys onward, and if she is, I hope it's from her mother's side.

[synesindri]

so admittedly i did think it was a little bit random when they started calling the mutineers a coven but i've seen the light now so here are my thoughts on this kickstarted by this description of a common 19th century british witch archetype:

literary representations of witches would also be underpinned by popular tales recorded by folklore collectors in most parts of Britain, which portrayed such people as utterly wicked, possessed of all too effective magical powers, and ending up brutally punished by death or injury

— ronald hutton, "Witches and Cunning Folk in British Literature 1800–1940," p29

1. "utterly wicked." i mean. no justification needed for this one probably.

2. "possessed of all too effective magical powers." not directly, but hickey is weirdly unaffected by sickness and starvation and exposure and exhaustion compared to the others (a lot of his off-the-rails behaviors/mentalities later on do map on reasonably well to symptoms of lead poisoning and other things going on, but like, he isn't bleeding or losing teeth and i would sell my soul for my skin to look the way his does even during the very worst of everything, so). he also clearly has a lot of power over many of the men, in an understandable leadership way that is more reliant on charisma, bribery, planfulness, and situations than magic, but it does seem kind of magical at times

3. "ending up brutally punished by death or injury." hard to get more brutally punished than literal bodily bifurcation. the rest of the "coven" likewise meet brutal ends.

4. devil shenanigans. lots of focus during this time period in british lore on witches and devil worship. obviously the tuunbaq is not a or the devil and it is troubling to suggest as much (even in its role as a fabricated entity that does not actually belong to the culture it has been inserted into). nonetheless, it is presented fearsomely in a way that seems likely to be understood as demonic or hellish by a christian crew such as the men of terror and erebus (it might even be described as such canonically? i don't remember specific examples and i haven't checked). certainly everyone has a good christian "avoid that thing" reaction to the tuunbaq — everyone except hickey, who finds it appealing and sees an opportunity to seek power through it, much as folkloric and literary witches of the era were depicted as doing through the devil.

5. christian inversions and rejections. the mutiny arguably really kicks off with the murder of lt. irving, the most outspokenly christian person in the group. christ symbolism through the "punished as a boy" scene through framing and posture. as lt hodgson so kindly spells out for us, cannibalism and (catholic) communion both involve the consumption of human blood and flesh. at mutineer supper time i was briefly convinced they were about to say grace (totally subjective on that one but whatev). hickey going up the hill to listen to his thoughts was very prophet-like imagery. hickey's final speech rejects god and religion. probably there are more examples but i think that's enough for this post that is already longer than i planned for it to be.

6. sexuality part 1. witches of the time and place were associated with non-normative sexual practices (including homosexuality, promiscuity, femdom, sexual coersion, so on and so forth). hickey is directly depicted in a sexual and romantic relationship with another man (who is also the one who first suggested mutiny in the first place, solidifying the narrative importance of the connection between gay people and mutiny. be gay do crimes but for serious). idk what the stance in general fandom scholarship is about the hickey-tozer dynamic, but i would say that is plausibly depicted as at least being implied to be not 100% heterosexual, which is particularly notable because that has important potential effects on how the power structure of the mutineer camp works — a chaste rank-based collegiality has a very different vibe than a situation where the main guy in charge and his second in command might be fucking (or kissing, or holding each other's faces in a sort of tender pseudo-religious way, or whatever else they might have been getting up to together) — this is getting a bit off from witchcraft but certainly there are many comparable depictions of witches coercing powerful men to do their bidding by using sexuality (see my non-existent au i just thought of just now that's based on lewis's the monk, i guess???)

7. sexuality part 2. witches also were notorious for doing castration to people. sorry, irving.

8. sexuality part 3. perhaps most notably witches were regarded as having sexual relationships with the devil. none of the mutineers ever gets it on with the tuunbaq obviously (although i feel confident that some adventurous fic writers out there have probably made this a subject of their study), but it is KIND of attempted symbolically. i talked about this already but it bears repeating here that the tongue is an erogenous body part generally, and there is possibly some mild extra narrative emphasis on that symbolism for hickey specifically, so the metaphorical self-castration of him cutting out his own tongue and offering it to the tuunbaq is a little bit giving weird sex. it's also giving nun/priest/monk-like disavowal of the potential for (at least a few types of) sex with human beings in favor of pledging oneself to a deity.

9. human sacrifice. common trope with witches, and the clear point of hickey's dragging everybody up that hill with him when he goes also to attempt to sacrifice part of his own human self to the tuunbaq.

10. identity. this is a little less solid but there's often kind of a sense that witches aren't who they claim to be? see lewis's the monk again, with (spoilers, i guess) the character of monk rosario revealing himself actually to be matilda, a seductive witch, who eventually does a double reveal that she's a demon. the "i'm not really cornelius hickey" reveal is giving that, a bit.

[tethrarisms]

DAV spoilers

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Nothing against all the following characters but as a Varric fan since DA2, it feels like a punch in the stomach when you learn that his sacrifice meant absolutely nothing. Solas wouldn't stop tearing the Veil apart if not for Mythal. And if you bring your Avellan Inquisitor, it's only a plus. I'm not saying they didn't deserve a happy ending, I think Solas had an incredible redemption and it fits him to spend his eternity with his partner in the Veil.

But Varric spent a whole decade feeling responsible for Solas and did what the Inquisitor couldn't due to DAI's consequences. Harding doesn't say a word when he's gone for "plot purposes". She only addresses his death when she's bashing Solas in the final fight. Which sucks. The "villain" got his happy ending while Rook lost his mentor and one of the their friends (which I still think will be solved in a DLC but that's for another time).

Varric's death serves no purpose for the narrative whatsoever. It doesn't push Rook towards improvement because, first of all, Rook wouldn't have to go through a sudden grief if Solas didn't use blood magic to alter their mind. Rook would have forgiven themselves for Bellara/Neve and Davrin/Harding in the Veil just fine. Rook didn't know about Varric, it was a result of literal gaslight, not a personal journey like the usual protagonists go through all over media.

Oh, and what about leadership? Dude, Varric says a single statement of encouragement and that's it. Talk about underdeveloped dialogue.

Lastly, Solas doesn't even address it when he's about to complete the ritual. Varric meant nothing to Solas, and that was kinda up to interpretation in Inquisition, but not in Veilguard. Because Solas doesn't even flinch and it's not brought to the table at all.

If anything, Varric deserved more than just a Lion King cloud. It's kinda insulting, honestly. The potential Veilguard has a game is huge but it feels rushed and underdeveloped in so many points.

No shame to writers, BioWare sucks for what they did and fuck capitalism. But this decision was disappointing for how much Varric not only carried this franchise for years and was one of the main points to promote the game. It felt disrespectful even how they gave the players some hope that he would be fine.

I hate it. I really do, and that's the main reason it gets so hard for me to replay Veilguard. It's low when the narrative lies to the player (this is far from a prestigious media like, idk, Fight Club and The Sixth Sense. It makes sense for the plot. That's not the case for Veilguard).

Anyway, good for people who are able to enjoy a second experience. I'm trying but I'm still stuck at the ritual scene cause I know things will change forever :')